Clémence de Biéville
- Writer
- 3 on Motif
What are Clémence de Biéville's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 3 · Charged 0 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 0 · Some laughs 2 · Funny 1
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Clémence de Biéville's films?
As of October 24, 2026, 1 of their 3 Motif titles stream on a subscription or free service.
Subscription and free streaming for Clémence de Biéville's titles on Motif; rent and buy are not counted.
Filmography
3 credits, 3 with a Motif page.
Valentin Valentin(2014)
Midcredits score: 25th percentile of all films
Associés contre le crime(2012)
Midcredits score: 14th percentile of all films
Crime Is Our Business(2008)
Midcredits score: 48th percentile of all films
Career shape
Across a limited sample of 3 Motif titles from 2008 to 2014.
How do Clémence de Biéville's films land?
Their typical Motif film has a Midcredits score in the 25th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Mixed.
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Clémence de Biéville work with?
People who share at least 2 of Clémence de Biéville's Motif titles, grouped by what they did on them; Pascal Thomas shares the most, 3.
Directors
- Pascal ThomasShared titles: Valentin Valentin (2014), Associés contre le crime (2012), Crime Is Our Business (2008)See all 3 shared titles with Pascal Thomas
Writers
- Nathalie LafaurieShared titles: Valentin Valentin (2014), Associés contre le crime (2012), Crime Is Our Business (2008)See all 3 shared titles with Nathalie Lafaurie
- François CaviglioliShared titles: Valentin Valentin (2014), Crime Is Our Business (2008)See all 2 shared titles with François Caviglioli
- Agatha ChristieShared titles: Associés contre le crime (2012), Crime Is Our Business (2008)See all 2 shared titles with Agatha Christie
Actors
- André DussollierShared titles: Associés contre le crime (2012), Crime Is Our Business (2008)See all 2 shared titles with André Dussollier
- Catherine FrotShared titles: Associés contre le crime (2012), Crime Is Our Business (2008)See all 2 shared titles with Catherine Frot
Composers and editors
- Reinhardt WagnerShared titles: Valentin Valentin (2014), Associés contre le crime (2012), Crime Is Our Business (2008)See all 3 shared titles with Reinhardt Wagner
- Catherine DubeauShared titles: Associés contre le crime (2012), Crime Is Our Business (2008)See all 2 shared titles with Catherine Dubeau