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Craig Hayes

Craig Hayes

Editor, also producer

Works as
Editor, also producer
Titles
13 on MovieCove

What are Craig Hayes' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 4 · Dark 4

A split, not a type: Grounded 5 · Stylized 3 · Heightened 0

Gentle 0 · Charged 6 · Intense 2

Steady 3 · Shifting 4 · Whiplash 1

Straight-faced 5 · Some laughs 2 · Funny 1

Slow burn 2 · Even-paced 5 · Relentless 1

Casual 3 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 3 · Heavy 4

Resolved 6 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
6
Hopeful
3
Bittersweet
3
Dread
2
Other
6

How their films end

  • Happy1
  • Bittersweet5
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Craig Hayes' films?

As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Craig Hayes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Career shape

A full career of 10 titles from 1996 to 2025.

By role

only this rolewith another role
Editing5 of 10: 5 only editing, 0 with another role · typical Midcredits score59thOther crew5 of 10: 5 only other crew, 0 with another role · typical Midcredits score35th

By decade

1990s1 · crew2000s1 · crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Craig Hayes' films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 13; across their 8 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 8

Approval · how many liked their films

62ndpercentile
Typical film, the median of 8

Reach · how many have seen their films

71stpercentile
Typical film, the median of 8

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th4
  • Below 25th3

Reviewers score the pacing 42/100 in their films, across 8 reviewed titles; fans 54, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Craig Hayes work with?

People who share at least 2 of Craig Hayes' MovieCove titles, grouped by what they did on them; Tommy Maddox-Upshaw shares the most, 3.

Directors

Cinematographers and editors

Producers