- Editor, also producer
- 13 on MovieCove
What are Craig Hayes' films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 7
Light 0 · Serious 4 · Dark 4
A split, not a type: Grounded 5 · Stylized 3 · Heightened 0
Gentle 0 · Charged 6 · Intense 2
Steady 3 · Shifting 4 · Whiplash 1
Straight-faced 5 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 5 · Relentless 1
Casual 3 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 3 · Heavy 4
Resolved 6 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet5
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Craig Hayes' films?
As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Craig Hayes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Queen of the Ring(2024)
Midcredits score: 59th percentile of all films
Big George Foreman(2023)
Midcredits score: 71st percentile of all films
The Hate U Give(2018)
Midcredits score: 93rd percentile of all films
Unforgettable(2017)
Midcredits score: 16th percentile of all films
Midcredits score: 62nd percentile of all films
Midcredits score: 68th percentile of all films
The Leisure Class(2015)
Midcredits score: 3rd percentile of all films
Grudge Match(2013)
Midcredits score: 48th percentile of all films
Too Big to Fail(2011)
Midcredits score: 87th percentile of all films
The Inheritance(2011)
Midcredits score: 1st percentile of all films
Leonie(2010)
Midcredits score: 48th percentile of all films
Lady in the Water(2006)
Midcredits score: 29th percentile of all films
Female Perversions(1996)
Midcredits score: 35th percentile of all films
Career shape
A full career of 10 titles from 1996 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Craig Hayes' films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 13; across their 8 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th4
- Below 25th3
Shape of the crowd
9 of their 13 titles are Mixed.
- Crowd Pleaser4
- Mixed9
Reviewers score the pacing 42/100 in their films, across 8 reviewed titles; fans 54, detractors 25. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Craig Hayes work with?
People who share at least 2 of Craig Hayes' MovieCove titles, grouped by what they did on them; Tommy Maddox-Upshaw shares the most, 3.
Directors
- George Tillman Jr.Shared titles: Big George Foreman (2023), The Hate U Give (2018)See all 2 shared titles with George Tillman Jr.

Cinematographers and editors
- Tommy Maddox-UpshawShared titles: Michael Jackson: Searching for Neverland (2017), Kalushi: The Story of Solomon Mahlangu (2016), The Inheritance (2011)See all 3 shared titles with Tommy Maddox-Upshaw

- Alex BlattShared titles: Big George Foreman (2023), The Hate U Give (2018)See all 2 shared titles with Alex Blatt

Producers
- Robert TeitelShared titles: The Hate U Give (2018), Michael Jackson: Searching for Neverland (2017)See all 2 shared titles with Robert Teitel

- Effie BrownShared titles: The Leisure Class (2015), The Inheritance (2011)See all 2 shared titles with Effie Brown




