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MovieCove

Jim Young

Producer

Works as
Producer
Titles
10 on MovieCove · 11 credits in all
TMDB popularity, last 39 days to Oct 28Down 17% in 30 days

What are Jim Young's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 7 · Stylized 2 · Heightened 0

Gentle 3 · Charged 4 · Intense 2

A split, not a type: Steady 4 · Shifting 3 · Whiplash 2

Straight-faced 6 · Some laughs 2 · Funny 1

Slow burn 4 · Even-paced 5 · Relentless 0

Casual 3 · Engaged 5 · Full focus 1

Resolved 7 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Contemplative
4
Melancholic
4
Hopeful
3
Dread
2
Other
8

How their films end · 4 with a twist

  • Happy1
  • Bittersweet4
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim Young's films?

As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on The Roku Channel (6).

Subscription and free streaming for Jim Young's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

  • Cut Throat City(2020)

    Executive Producer

    Midcredits score: 20th percentile of all films
  • The Catcher Was a Spy(2018)

    Producer

    Midcredits score: 46th percentile of all films
  • Fat Camp(2017)

    Producer

    Midcredits score: 13th percentile of all films
  • Midcredits score: 87th percentile of all films
  • Almost Friends(2016)

    Producer

    Midcredits score: 42nd percentile of all films
  • Lovelace(2013)

    Producer

    Midcredits score: 44th percentile of all films
  • Life of a King(2013)

    Producer

    Midcredits score: 81st percentile of all films
  • The Words(2012)

    Producer

    Midcredits score: 73rd percentile of all films
  • Homecoming(2009)

    Producer

    Midcredits score: 22nd percentile of all films
  • Don McKay(2009)

    Producer

    Midcredits score: 32nd percentile of all films
  • Eleven Missing Days (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 9 titles, 8 of them dated from 2009 to 2020.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score45th

By decade

2000s2 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jim Young's films land?

Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 9

Approval · how many liked their films

42ndpercentile
Typical film, the median of 9

Reach · how many have seen their films

85thpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th4
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jim Young's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 33 · mildMedian of all films: 44
Sex & Nudity6 titles13–63 · median 33 · mildnear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 59 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 36 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 20 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jim Young work with?

People who share at least 2 of Jim Young's MovieCove titles, grouped by what they did on them; Tatiana Kelly shares the most, 4.

Directors

Actors

Composers and editors

Producers