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Andreas Schmid

Andreas Schmid

Producer

Works as
Producer
Titles
32 on MovieCove · 34 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 4% in 30 days

What are Andreas Schmid's films like?

Across their 31 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Action8 titlesTypical Midcredits score: 37th percentile
: browse their Action movies
Drama8 titlesTypical Midcredits score: 46th percentile
: browse their Drama movies
Comedy5 titlesTypical Midcredits score: 27th percentile
: browse their Comedy movies
Crime5 titlesTypical Midcredits score: 82nd percentile, at or above their average across these genres
: browse their Crime movies
Biography4 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
22%
Morality
21%
Bonds
21%
Survival
20%
Power
7%
Ideas
5%
Society
4%
Romantic love6 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themeFriendship5 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeComing of age3 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeViolence4 titles, browse their movies with this theme

What they feel like to watch

their average across 31 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 6 · Serious 5 · Dark 20

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 13 · Stylized 12 · Heightened 6

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 9 · Intense 20

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 15 · Whiplash 9

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 21 · Some laughs 6 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 19 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 14 · Full focus 9

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 7 · Heavy 18

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 19 · Open-ended 7 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
24
Melancholic
17
Dread
10
Absurd
5
Thrilling
5
Other
19

How their films linger

Haunting12 titles, browse their movies with this aftertasteBittersweet12 titles, browse their movies with this aftertasteThought-provoking10 titles, browse their movies with this aftertasteFun7 titles, browse their movies with this aftertasteDevastating5 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertaste

How their films end · 8 with a twist

  • Happy7
  • Bittersweet12
  • Tragic6
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andreas Schmid's films?

As of October 24, 2026, 16 of their 32 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Also on these channels

Subscription and free streaming for Andreas Schmid's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 32 with a MovieCove page.

  • Trade(2007)

    Producer

    Midcredits score: 82nd percentile of all films

  • 7 Dwarves: The Forest Is Not Enough(2006)

    Executive Producer

    Midcredits score: 9th percentile of all films

  • O Jerusalem(2006)

    Executive Producer

    Midcredits score: 45th percentile of all films

  • Black Book(2006)

    Executive Producer

    Midcredits score: 95th percentile of all films

  • Perfume: The Story of a Murderer(2006)

    Executive Producer

    Midcredits score: 91st percentile of all films

  • All the King's Men(2006)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • Copying Beethoven(2006)

    Executive Producer

    Midcredits score: 67th percentile of all films

  • DOA: Dead or Alive(2006)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • Stormbreaker(2006)

    Executive Producer

    Midcredits score: 15th percentile of all films

  • The Contract(2006)

    Producer

    Midcredits score: 24th percentile of all films

  • Klimt(2006)

    Producer

    Midcredits score: 19th percentile of all films

  • Lucky Number Slevin(2006)

    Executive Producer

    Midcredits score: 94th percentile of all films

  • Ask the Dust(2006)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Alpha Dog(2006)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • Half Light(2006)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • Running Scared(2006)

    Executive Producer

    Midcredits score: 82nd percentile of all films

  • Grimm Love(2006)

    Producer

    Midcredits score: 18th percentile of all films

  • The White Countess(2005)

    Executive Producer

    Midcredits score: 62nd percentile of all films

  • The Big White(2005)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • Santa's Slay(2005)

    Executive Producer

    Midcredits score: 27th percentile of all films

  • Havoc(2005)

    Executive Producer

    Midcredits score: 20th percentile of all films

  • Lord of War(2005)

    Executive Producer

    Midcredits score: 94th percentile of all films

  • Edison(2005)

    Executive Producer

    Midcredits score: 17th percentile of all films

  • The Upside of Anger(2005)

    Executive Producer

    Midcredits score: 69th percentile of all films

  • The Jacket(2005)

    Co-Producer

    Midcredits score: 79th percentile of all films

  • Control(2004)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • Ring of the Nibelungs(2004)

    Producer

    Midcredits score: 64th percentile of all films

  • Drum (not in the MovieCove catalog yet)(2004)

    Executive Producer

  • 7 Zwerge(2004)

    Executive Producer

    Midcredits score: 17th percentile of all films

  • The Punisher(2004)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • The I Inside(2004)

    Executive Producer

    Midcredits score: 46th percentile of all films

  • One Point O(2004)

    Producer

    Midcredits score: 46th percentile of all films

  • Monster(2003)

    Executive Producer

    Midcredits score: 90th percentile of all films

  • Global Effect (not in the MovieCove catalog yet)(2002)

    Executive Producer

Career shape

A full career of 31 titles from 2002 to 2006.

Biggest box office

Lord of War (2005)

$73M worldwide

Highest rated

Black Book (2006)

Midcredits 95th

Most popular right now

The Punisher (2004)

By role

only this rolewith another role
Producing31 of 31: 31 only producing, 0 with another role · typical Midcredits score49th

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andreas Schmid's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 32; across their 31 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 31

Approval · how many liked their films

48thpercentile
Typical film, the median of 31

Reach · how many have seen their films

89thpercentile
Typical film, the median of 31

Midcredits score across 32 titles, by percentile

  • 75th and up9
  • 50th to 74th6
  • 25th to 49th8
  • Below 25th9

Shape of the crowd

11 of their 32 titles are Crowd Pleasers.

  • Universally Loved4
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser11
  • Broadly Agreed5
  • Mixed10

Most divisive · producer

O Jerusalem (2006)

72nd percentile spread · 22% rated it 4 or lower

Most loved · producer

Black Book (2006)

Midcredits 95th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andreas Schmid's work okay for kids?

Across up to 21 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles61–90 · median 80 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity21 titles28–75 · median 55 · moderateheavier than most filmsMedian of all films: 32
Profanity13 titles39–95 · median 75 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles33–89 · median 64 · intenseheavier than most filmsMedian of all films: 33
Frightening / Intense11 titles53–89 · median 78 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Andreas Schmid work with?

People who share at least 2 of Andreas Schmid's MovieCove titles, grouped by what they did on them; Andreas Grosch shares the most, 29.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers