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Peyi Guzmán

Cinematographer

Works as
Cinematographer
Titles
5 on MovieCove · 10 credits in all
TMDB popularity, last 39 days to Oct 28Down 32% in 30 days

What are Peyi Guzmán's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 5 · Stylized 0 · Heightened 0

Gentle 1 · Charged 3 · Intense 1

Steady 1 · Shifting 2 · Whiplash 2

A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 4 · Relentless 0

Casual 4 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Bittersweet
2
Tense
2
Hopeful
3
Melancholic
2
Absurd
1
Other
2

How their films end · 1 with a twist

  • Happy1
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peyi Guzmán's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Peyi Guzmán's titles on MovieCove; rent and buy are not counted.

Filmography

10 credits, 5 with a MovieCove page.

  • La Batalla de los Ángeles (not in the MovieCove catalog yet)(2026)

    Cinematographer

  • Mi Les Paul (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Libélula (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Más que el Agua(2021)

    Cinematographer

    Midcredits score: 91st percentile of all films (provisional, few ratings)
  • Motel(2021)

    Cinematographer

    Midcredits score: 50th percentile of all films (provisional, few ratings)
  • What I Feel for You(2018)

    Cinematographer

    Midcredits score: 87th percentile of all films
  • Patricia, Return of the Dream(2017)

    Cinematographer

    Midcredits score: 15th percentile of all films (provisional, few ratings)
  • Once Upon a Fish(2014)

    Cinematographer

    Midcredits score: 61st percentile of all films (provisional, few ratings)
  • The Curse of Father Cardona (not in the MovieCove catalog yet)(2005)

    Cinematographer

  • Un Rollo en la Arena (not in the MovieCove catalog yet)(2005)

    as Él mismo

Career shape

A full career of 7 titles from 2005 to 2026.

By role

only this rolewith another role
Acting1 of 7: 1 only acting, 0 with another roleCinematography6 of 7: 6 only cinematography, 0 with another role

By decade

2000s2 · 1 acting · 1 crew2010s1 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Peyi Guzmán's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 5

Approval · how many liked their films

59thpercentile
Typical film, the median of 5

Reach · how many have seen their films

7thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peyi Guzmán work with?

People who share at least 2 of Peyi Guzmán's MovieCove titles, grouped by what they did on them; Hony Estrella shares the most, 3.

Directors

Actors

Editors

Producers

Mixed roles