Aram Diaz
- Cinematographer and producer
- 3 on Motif
What are Aram Diaz's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 0 · Open-ended 2 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Aram Diaz's films?
As of October 24, 2026, 1 of their 3 Motif titles stream on a subscription or free service.
Subscription and free streaming for Aram Diaz's titles on Motif; rent and buy are not counted.
Filmography
3 credits, 3 with a Motif page.
Mark of the Devil(2020)
Midcredits score: 1st percentile of all films
De las muertas(2018)
Midcredits score: 51st percentile of all films (provisional, few ratings)
Redención(2010)
Midcredits score: 43rd percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 Motif titles from 2010 to 2020.
Counts over their Motif titles; a title counts in every role they held on it.
How do Aram Diaz's films land?
Their typical Motif film has a Midcredits score in the 43rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 27th percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
1 of their 3 titles is Universally Panned.
- Universally Panned1
- Divisive1
- Cult Classic1
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Aram Diaz work with?
People who share at least 2 of Aram Diaz's Motif titles, grouped by what they did on them; Jose Ruben Escalante Mendez shares the most, 2.
Writers
- Jose Ruben Escalante MendezShared titles: Mark of the Devil (2020), De las muertas (2018)See all 2 shared titles with Jose Ruben Escalante Mendez
- Ruben Escalante MendezShared titles: Mark of the Devil (2020), De las muertas (2018)See all 2 shared titles with Ruben Escalante Mendez
Composers and editors
- José Antonio HernándezShared titles: De las muertas (2018), Redención (2010)See all 2 shared titles with José Antonio Hernández
- Uriel VillalobosShared titles: De las muertas (2018), Redención (2010)See all 2 shared titles with Uriel Villalobos
Producers
- Adriana OrtegaShared titles: Mark of the Devil (2020), De las muertas (2018)See all 2 shared titles with Adriana Ortega
- Alvaro Gonzalez KuhnShared titles: Mark of the Devil (2020), De las muertas (2018)See all 2 shared titles with Alvaro Gonzalez Kuhn
- Diego CohenShared titles: Mark of the Devil (2020), De las muertas (2018)See all 2 shared titles with Diego Cohen
- Mónica GorbeaShared titles: Mark of the Devil (2020), De las muertas (2018)See all 2 shared titles with Mónica Gorbea
Mixed roles
- Jorge Adrián EspíndolaShared titles: Mark of the Devil (2020), De las muertas (2018)See all 2 shared titles with Jorge Adrián Espíndola
