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Connie Nartonis Thompson

Producer

Connie Nartonis Thompson was born on 3 May 1967 in Boston, Massachusetts, USA. She is a producer and production manager, known for Frankenweenie (2012), Atlantis: The Lost Empire (2001), Beauty and the Beast (1991) and Ray Gunn (2026)

Biography from TMDB.

Works as
Producer
Titles
11 on MovieCove · 12 credits in all
TMDB popularity, last 38 days to Oct 27Down 22% in 30 days

What are Connie Nartonis Thompson's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 5 · Stylized 3 · Heightened 1

Gentle 5 · Charged 4 · Intense 0

Steady 5 · Shifting 3 · Whiplash 1

Straight-faced 3 · Some laughs 5 · Funny 1

Slow burn 5 · Even-paced 4 · Relentless 0

A split, not a type: Casual 4 · Engaged 5 · Full focus 0

Resolved 9 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Warm
4
Hopeful
4
Joyful
3
Tense
3
Other
7

How their films end

  • Happy2
  • Bittersweet8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Connie Nartonis Thompson's films?

As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, on Disney+ (7).

Subscription and free streaming for Connie Nartonis Thompson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 11 with a MovieCove page.

  • Animal Farm(2025)

    Producer

    Midcredits score: 2nd percentile of all films
  • Iwájú(2024)

    Show Producer

    Midcredits score: 48th percentile of all shows
  • Wonder Park(2019)

    Associate Producer

    Midcredits score: 36th percentile of all films
  • Aria for a Cow (not in the MovieCove catalog yet)(2015)

    Producer

  • Frankenweenie(2012)

    Associate Producer

    Midcredits score: 80th percentile of all films
  • High Ground(2012)

    Producer

    Midcredits score: 69th percentile of all films
  • Chimpanzee(2011)

    Producer

    Midcredits score: 82nd percentile of all films
  • Oceans(2008)

    Producer

    Midcredits score: 95th percentile of all films
  • Midcredits score: 82nd percentile of all films
  • Midcredits score: 94th percentile of all films
  • Earth(2007)

    Producer

    Midcredits score: 97th percentile of all films
  • Lorenzo(2004)

    Production Manager

    Midcredits score: 61st percentile of all films

Career shape

A full career of 6 titles from 2004 to 2026.

By role

only this rolewith another role
Producing5 of 6: 5 only producing, 0 with another roleOther crew1 of 6: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s4 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Connie Nartonis Thompson's films land?

Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 9

Approval · how many liked their films

85thpercentile
Typical film, the median of 9

Reach · how many have seen their films

86thpercentile
Typical film, the median of 9

Midcredits score across 11 titles, by percentile

  • 75th and up6
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

4 of their 11 titles are Crowd Pleasers.

  • Universally Loved3
  • Loved with Detractors1
  • Crowd Pleaser4
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Connie Nartonis Thompson's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 51 · moderateMedian of all films: 44
Sex & Nudity3 titlesmedian 8 · minimalMedian of all films: 32
Profanity3 titlesmedian 8 · minimalMedian of all films: 36
Alcohol & Drugs3 titlesmedian 8 · minimalMedian of all films: 33
Frightening / Intense3 titlesmedian 59 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Connie Nartonis Thompson work with?

People who share at least 2 of Connie Nartonis Thompson's MovieCove titles, grouped by what they did on them; Don Hahn shares the most, 8.

Directors

Composers, cinematographers and editors

Producers

Mixed roles