Antonio Guadalupi
- Producer
- 5 on MovieCove
What are Antonio Guadalupi's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 3
Grounded 1 · Stylized 4 · Heightened 0
A split, not a type: Gentle 1 · Charged 1 · Intense 3
Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 3
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet2
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Antonio Guadalupi's films?
As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Antonio Guadalupi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
The Goldsmith(2022)
Midcredits score: 9th percentile of all films
The Moon and the Stars(2007)
Midcredits score: 40th percentile of all films
Minotaur(2006)
Midcredits score: 2nd percentile of all films
A Good Woman(2004)
Midcredits score: 56th percentile of all films
Modigliani(2004)
Midcredits score: 79th percentile of all films
Career shape
Across their 5 MovieCove titles from 2004 to 2022.
How do Antonio Guadalupi's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th2
Shape of the crowd
1 of their 5 titles is Universally Loved.
- Universally Loved1
- Universally Panned1
- Cult Classic1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Antonio Guadalupi work with?
People who share at least 2 of Antonio Guadalupi's MovieCove titles, grouped by what they did on them; Roberto Bessi shares the most, 4.
Producers
- Roberto BessiShared titles: The Moon and the Stars (2007), Minotaur (2006), A Good Woman (2004), Modigliani (2004)See all 4 shared titles with Roberto Bessi
- André DjaouiShared titles: The Moon and the Stars (2007), Modigliani (2004)See all 2 shared titles with André Djaoui
- Denise O'DellShared titles: Minotaur (2006), A Good Woman (2004)See all 2 shared titles with Denise O'Dell
- James PassShared titles: Minotaur (2006), A Good Woman (2004)See all 2 shared titles with James Pass