- Producer
- 10 on MovieCove · 15 credits in all
What are Laura Hastings-Smith's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 3
A split, not a type: Light 2 · Serious 1 · Dark 2
Grounded 1 · Stylized 3 · Heightened 1
Gentle 0 · Charged 3 · Intense 2
A split, not a type: Steady 4 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 2
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2
A split, not a type: Resolved 2 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet4
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Laura Hastings-Smith's films?
As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service.
- BritBox
Subscription and free streaming for Laura Hastings-Smith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 10 with a MovieCove page.
Prime Target(2025)
Midcredits score: 19th percentile of all shows
The Little Drummer Girl(2018)
Midcredits score: 68th percentile of all shows
Howards End(2017)
Midcredits score: 57th percentile of all shows
The Last Dragonslayer(2016)
Midcredits score: 38th percentile of all films
Mindhorn(2016)
Midcredits score: 55th percentile of all films
Macbeth(2015)
Midcredits score: 69th percentile of all films
A Brilliant Young Mind(2014)
Midcredits score: 82nd percentile of all films
The Beast (not in the MovieCove catalog yet)(2013)
Top Boy(2011)
Midcredits score: 96th percentile of all shows
Chatroom(2010)
Midcredits score: 29th percentile of all films
Hunger(2008)
Midcredits score: 94th percentile of all films
Lives of the Saints (not in the MovieCove catalog yet)(2007)
Charts of Darkness (not in the MovieCove catalog yet)(2001)
A Bunny Girl's Tale (not in the MovieCove catalog yet)(1999)
Classic Plant (not in the MovieCove catalog yet)(1998)
Career shape
A full career of 15 titles from 1998 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
2 major nominations and no wins, 2009–2018.
- BAFTA Award, nominated · Best Mini-Series
- BAFTA Award, nominated
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Laura Hastings-Smith's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up3
- 50th to 74th4
- 25th to 49th2
- Below 25th1
Shape of the crowd
5 of their 10 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser5
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Laura Hastings-Smith's work okay for kids?
Across up to 6 MovieCove titles with content scores, profanity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Laura Hastings-Smith work with?
People who share at least 2 of Laura Hastings-Smith's MovieCove titles, grouped by what they did on them; Sarah-Jane Wheale shares the most, 4.
Writers
- Enda WalshShared titles: Chatroom (2010), Hunger (2008)See all 2 shared titles with Enda Walsh
Actors
- Alex LawtherShared titles: Howards End (2017), A Brilliant Young Mind (2014)See all 2 shared titles with Alex Lawther
Composers
- David HolmesShared titles: Mindhorn (2016), Hunger (2008)See all 2 shared titles with David Holmes
Producers
- Sarah-Jane WhealeShared titles: Prime Target (2025), The Little Drummer Girl (2018), Mindhorn (2016), A Brilliant Young Mind (2014)See all 4 shared titles with Sarah-Jane Wheale
- Ed RubinShared titles: Prime Target (2025), A Brilliant Young Mind (2014)See all 2 shared titles with Ed Rubin
- Ridley ScottShared titles: Prime Target (2025), Mindhorn (2016)See all 2 shared titles with Ridley Scott
- Christine LanganShared titles: Mindhorn (2016), A Brilliant Young Mind (2014)See all 2 shared titles with Christine Langan
