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MovieCove

Man-Hong Tong

Producer, also director

Works as
Producer, also director
Titles
13 on MovieCove

What are Man-Hong Tong's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 2 · Dark 7

A split, not a type: Grounded 6 · Stylized 5 · Heightened 2

Gentle 1 · Charged 6 · Intense 6

Steady 3 · Shifting 8 · Whiplash 2

Straight-faced 9 · Some laughs 2 · Funny 2

Slow burn 4 · Even-paced 6 · Relentless 3

Casual 4 · Engaged 6 · Full focus 3

Resolved 8 · Open-ended 3 · Ambiguous 2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Man-Hong Tong's films?

As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Man-Hong Tong's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • Limbo(2021)

    Producer

    Midcredits score: 85th percentile of all films
  • Midcredits score: 48th percentile of all films
  • Big Brother(2018)

    Producer

    Midcredits score: 62nd percentile of all films
  • Always Be with You(2017)

    Producer

    Midcredits score: 38th percentile of all films
  • Chasing the Dragon(2017)

    Producer

    Midcredits score: 72nd percentile of all films
  • Paradox(2017)

    Producer

    Midcredits score: 63rd percentile of all films
  • The Brink(2017)

    Producer

    Midcredits score: 28th percentile of all films
  • Return of the Cuckoo(2015)

    Producer

    Midcredits score: 18th percentile of all films
  • The Assassin(2015)

    Producer

    Midcredits score: 60th percentile of all films
  • Two Thumbs Up(2015)

    Producer

    Midcredits score: 47th percentile of all films
  • Getting Home(2007)

    Producer

    Midcredits score: 93rd percentile of all films
  • Lost in Beijing(2007)

    Producer

    Midcredits score: 67th percentile of all films
  • Fox Ghost(2002)

    Director · Producer

    Midcredits score: 13th percentile of all films (provisional, few ratings)

Career shape

Across their 13 MovieCove titles from 2002 to 2021.

By role

only this rolewith another role
Directing1 of 13: 0 only directing, 1 with another roleProducing13 of 13: 12 only producing, 1 with another role · typical Midcredits score60th

By decade

2000s3 · crew2010s9 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Man-Hong Tong's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 13

Approval · how many liked their films

52ndpercentile
Typical film, the median of 13

Reach · how many have seen their films

70thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th2

Reviewers score the atmosphere 71/100 and the pacing 52/100 in their films, across 10 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Man-Hong Tong's work okay for kids?

Across up to 6 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity6 titles23–59 · median 35 · mildnear the median of all filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Man-Hong Tong work with?

People who share at least 2 of Man-Hong Tong's MovieCove titles, grouped by what they did on them; Alex Dong shares the most, 7.

Actors

Composers, cinematographers and editors

Producers

Mixed roles