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What are Amanda Wilkie's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Ideas and Society.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 1 · Dark 0

Grounded 5 · Stylized 2 · Heightened 0

Gentle 6 · Charged 1 · Intense 0

Steady 7 · Shifting 0 · Whiplash 0

Straight-faced 6 · Some laughs 1 · Funny 0

Slow burn 6 · Even-paced 1 · Relentless 0

A split, not a type: Casual 4 · Engaged 2 · Full focus 1

Resolved 5 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
9
Warm
4
Hopeful
2
Joyful
2
Dread
1
Other
5

How their films end

  • Happy2
  • Bittersweet4
  • Ambiguous1
  • Cyclical2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amanda Wilkie's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Amanda Wilkie's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

Career shape

Across their 9 MovieCove titles from 1998 to 2025.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score87th

By decade

1990s1 · crew2000s1 · crew2010s2 · crew2020s5 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

Awards

Won a BAFTA Award in 2022, Single Documentary.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Amanda Wilkie's films land?

Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 7

Approval · how many liked their films

82ndpercentile
Typical film, the median of 7

Reach · how many have seen their films

38thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up7
  • 25th to 49th1

Shape of the crowd

None of their 8 titles divides audiences: 7 are Crowd Pleasers.

  • Crowd Pleaser7
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Amanda Wilkie work with?

People who share at least 2 of Amanda Wilkie's MovieCove titles, grouped by what they did on them; Phil Grabsky shares the most, 8.

Directors

Composers and editors