Carlo Hintermann

What are Carlo Hintermann's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlo Hintermann's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Carlo Hintermann's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  The Book of Vision(2020)

  Director · Writer

  Midcredits score: 80th percentile of all films80^th
• 

  Rabin, the Last Day(2015)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Tsili(2014)

  Producer

  Midcredits score: 18th percentile of all films (provisional, few ratings)~18^th
• 

  The Tree of Life(2011)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Rosy-Fingered Dawn: a Film on Terrence Malick(2002)

  Director · Cinematographer · Writer

  Midcredits score: 55th percentile of all films55^th

Career shape

Across their 5 MovieCove titles from 2002 to 2020.

Biggest box office

The Tree of Life (2011)

$59M worldwide

Highest rated

The Book of Vision (2020)

Midcredits 80^th

Most popular right now

The Tree of Life (2011)

How do Carlo Hintermann's films land?

Their typical MovieCove film has a Midcredits score in the 55^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 49^th percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Mixed.

113

• Universally Loved1
• Cult Classic1
• Mixed3

Most divisive · producer

Tsili (2014)

78^th percentile spread · 51% rated it 4 or lower

Most loved · director, writer

The Book of Vision (2020)

Midcredits 80^th · 96% liked

Reviewers score the atmosphere 77/100 and the pacing 28/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carlo Hintermann work with?

People who share at least 2 of Carlo Hintermann's MovieCove titles, grouped by what they did on them; Gerardo Panichi shares the most, 4.