Leandro Acosta
- Producer
- 3 on MovieCove
What are Leandro Acosta's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 1 · Dark 0
Grounded 1 · Stylized 1 · Heightened 1
Gentle 1 · Charged 2 · Intense 0
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 3 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Leandro Acosta's films?
As of October 28, 2026, none of Leandro Acosta's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Leandro Acosta's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Canelones(2026)
Midcredits score: 46th percentile of all films
Death of a Comedian(2025)
Midcredits score: 51st percentile of all films
The Girl from Uruguay(2022)
Midcredits score: 68th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2022 to 2026.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Leandro Acosta's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
1 of their 3 titles is Loved with Detractors.
- Loved with Detractors1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Leandro Acosta work with?
People who share at least 2 of Leandro Acosta's MovieCove titles, grouped by what they did on them; Dalila Aguirre shares the most, 3.
Writers
- Christian BasilisShared titles: Canelones (2026), The Girl from Uruguay (2022)See all 2 shared titles with Christian Basilis
- Josefina LicitraShared titles: Canelones (2026), The Girl from Uruguay (2022)See all 2 shared titles with Josefina Licitra
Producers
- Dalila AguirreShared titles: Canelones (2026), Death of a Comedian (2025), The Girl from Uruguay (2022)See all 3 shared titles with Dalila Aguirre
- Damian AchagaShared titles: Canelones (2026), Death of a Comedian (2025), The Girl from Uruguay (2022)See all 3 shared titles with Damian Achaga
- Juan AcherShared titles: Canelones (2026), Death of a Comedian (2025), The Girl from Uruguay (2022)See all 3 shared titles with Juan Acher
- Juan Esteban AbrahamShared titles: Canelones (2026), Death of a Comedian (2025), The Girl from Uruguay (2022)See all 3 shared titles with Juan Esteban Abraham
Mixed roles
- Hernán CasciariShared titles: Canelones (2026), Death of a Comedian (2025)See all 2 shared titles with Hernán Casciari