Tadashi Ueda

What are Tadashi Ueda's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tadashi Ueda's films?

As of October 28, 2026, none of Tadashi Ueda's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Tadashi Ueda's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Crying 100 Times: Every Raindrop Falls(2013)

  Composer

  Midcredits score: 41st percentile of all films (provisional, few ratings)~41^st
• 

  Go, Masao!(2012)

  Composer

  Midcredits score: 56th percentile of all films (provisional, few ratings)~56^th
• 

  Oblivion Island: Haruka and the Magic Mirror(2009)

  Composer

  Midcredits score: 72nd percentile of all films72^nd
• 

  Tokyo Tower: Mom and Me, and Sometimes Dad(2007)

  Composer

  Midcredits score: 88th percentile of all films88^th
• 

  Nana(2005)

  Composer

  Midcredits score: 86th percentile of all films86^th

Career shape

Across their 5 MovieCove titles from 2005 to 2013.

Biggest box office

Nana (2005)

$35M worldwide

Highest rated

Tokyo Tower: Mom and Me, and Sometimes Dad (2007)

Midcredits 88^th

Most popular right now

Nana (2005)

How do Tadashi Ueda's films land?

Their typical MovieCove film has a Midcredits score in the 72^nd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 71^st percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Crowd Pleasers.

131

• Cult Classic1
• Crowd Pleaser3
• Mixed1

Most divisive · composer

Go, Masao! (2012)

70^th percentile spread · 26% rated it 4 or lower

Most loved · composer

Tokyo Tower: Mom and Me, and Sometimes Dad (2007)

Midcredits 88^th · 74% liked

Reviewers score the sound and music 70/100 in their films, across 3 reviewed titles; fans 77, detractors 35. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tadashi Ueda work with?

People who share at least 2 of Tadashi Ueda's MovieCove titles; Kentarô Ohtani shares the most, 2.

• 
  Kentarô Ohtani2 titlesSee all 2 shared titles with Kentarô Ohtani
• IT
  Izumi Takahashi2 titlesSee all 2 shared titles with Izumi Takahashi