Elma S. Medua

Producer

Works as: Producer
Titles: 56 on MovieCove · 85 credits in all
Links: IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 26% in 30 days

What are Elma S. Medua's films like?

Across their 44 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama20 titles65^th

Comedy18 titles69^th

Action3 titles46^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Bonds

58%

Self

22%

Morality

Society

Survival

Power

Ideas

Romantic love25 Family bonds15 Self-worth10 Friendship8 Purpose5 Identity5 Forgiveness5 Justice2

What they feel like to watch

their average across 43 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 0 · Wry 1 · Earnest 42

Serious

Tone · Weight

lightdark

A split, not a type: Light 23 · Serious 15 · Dark 5

Grounded

Tone · Style

naturalisticheightened

Grounded 36 · Stylized 7 · Heightened 0

Charged

Feel · Intensity

gentleintense

A split, not a type: Gentle 20 · Charged 19 · Intense 4

Steady

Feel · Swings

steadyswings

Steady 23 · Shifting 19 · Whiplash 1

Some laughs

Feel · Humor

noneconstant

Straight-faced 16 · Some laughs 21 · Funny 6

Slow burn

Demand · Pace

slowrelentless

Slow burn 26 · Even-paced 17 · Relentless 0

Casual

Demand · Attention

casualfull focus

Casual 28 · Engaged 13 · Full focus 2

Affecting

Demand · Emotional cost

easyheavy

A split, not a type: Easy watch 14 · Affecting 14 · Heavy 15

Resolved

Demand · Resolution

resolvedambiguous

Resolved 39 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic

Melancholic

Hopeful

Bittersweet

Joyful

Other

How their films linger

Hopeful30 Feel-good23 Bittersweet17 Fun5 Thought-provoking5 Haunting3

How their films end · 1 with a twist

Happy20
Bittersweet21
Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Elma S. Medua's films?

As of October 24, 2026, 8 of their 56 MovieCove titles stream on a subscription or free service, most on Netflix (5).

Also on these channels

Pinoy Box Office2 titles, show their 2 titles on Pinoy Box Office

Subscription and free streaming for Elma S. Medua's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

85 credits, 56 with a MovieCove page.

The Loved One(2026)
Supervising Producer
Midcredits score: 56th percentile of all films
Manila's Finest(2025)
Supervising Producer
Midcredits score: 71st percentile of all films
Only We Know(2025)
Producer
Midcredits score: 68th percentile of all films
The Ride(2025)
Producer
Midcredits score: 15th percentile of all films
Five Breakups and a Romance (not in the MovieCove catalog yet)(2023)
Supervising Producer
Nothing Like Paris(2023)
Supervising Producer
Midcredits score: 50th percentile of all films
Replacing Chef Chico(2023)
Show Producer
Midcredits score: 30th percentile of all shows
My Amanda(2021)
Producer
Midcredits score: 51st percentile of all films
Exes Baggage(2018)
Producer
Midcredits score: 76th percentile of all films
Three Words to Forever(2018)
Producer
Midcredits score: 79th percentile of all films
Unexpectedly Yours(2017)
Producer
Midcredits score: 67th percentile of all films
Seven Sundays(2017)
Producer
Midcredits score: 92nd percentile of all films
Love You to the Stars and Back(2017)
Post-Production Manager
Midcredits score: 86th percentile of all films
Can We Still Be Friends?(2017)
Producer
Midcredits score: 45th percentile of all films
Dear Other Self(2017)
Producer
Midcredits score: 53rd percentile of all films
The Unmarried Wife(2016)
Producer
Midcredits score: 41st percentile of all films
How to Be Yours(2016)
Producer
Midcredits score: 55th percentile of all films
Everything About Her(2016)
Producer
Midcredits score: 78th percentile of all films
The Love Affair(2015)
Post-Production Manager
Midcredits score: 51st percentile of all films
A Second Chance(2015)
Producer
Midcredits score: 73rd percentile of all films
You're My Boss(2015)
Producer
Midcredits score: 52nd percentile of all films
She's Dating the Gangster(2014)
Post Production Producer
Midcredits score: 82nd percentile of all films
Maybe This Time(2014)
Producer
Midcredits score: 68th percentile of all films
Past Tense(2014)
Producer
Midcredits score: 51st percentile of all films
Starting Over Again(2014)
Producer
Midcredits score: 70th percentile of all films
The Amazing Praybeyt Benjamin(2014)
Producer
Midcredits score: 16th percentile of all films
On the Job (not in the MovieCove catalog yet)(2013)
Post-Production Manager
The Bit Player (not in the MovieCove catalog yet)(2013)
Post-Production Manager
Four Sisters and a Wedding(2013)
Post-Production Manager · Supervising Producer
Midcredits score: 85th percentile of all films
Bromance: My Brother's Romance(2013)
Post-Production Manager
Midcredits score: 19th percentile of all films
Must Be... Love(2013)
Producer
Midcredits score: 62nd percentile of all films
One More Try (not in the MovieCove catalog yet)(2012)
Post-Production Manager
The Mistress(2012)
Producer
Midcredits score: 56th percentile of all films
ÜnOfficially Yours(2012)
Producer
Midcredits score: 45th percentile of all films
Way Back Home(2011)
Post-Production Manager
Midcredits score: 73rd percentile of all films
Bulong (not in the MovieCove catalog yet)(2011)
Producer
Forever and a Day(2011)
Producer
Midcredits score: 65th percentile of all films
Miss You Like Crazy(2010)
Post-Production Manager
Midcredits score: 49th percentile of all films
Paano na Kaya (not in the MovieCove catalog yet)(2010)
Post-Production Manager
In My Life(2009)
Post-Production Manager
Midcredits score: 50th percentile of all films
You Changed My Life(2009)
Supervising Producer
Midcredits score: 63rd percentile of all films
And I Love You So(2009)
Producer
Midcredits score: 66th percentile of all films (provisional, few ratings)
A Very Special Love(2008)
Supervising Producer
Midcredits score: 70th percentile of all films
Caregiver(2008)
Producer
Midcredits score: 58th percentile of all films
SupahPapalicious (not in the MovieCove catalog yet)(2008)
Post Production Producer
One More Chance(2007)
Producer
Midcredits score: 82nd percentile of all films
Don't Give Up on Us(2006)
Producer
Midcredits score: 73rd percentile of all films
All About Love(2006)
Producer
Midcredits score: 58th percentile of all films
Dubai(2005)
Post Production Coordinator
Midcredits score: 57th percentile of all films
D' Anothers (not in the MovieCove catalog yet)(2005)
Producer
Wherever You Are(2005)
Post-Production Manager
Midcredits score: 82nd percentile of all films
All My Life (not in the MovieCove catalog yet)(2004)
Producer
Otso Otso Pamela-mela Wan (not in the MovieCove catalog yet)(2004)
Post Production Supervisor
Kung ako na lang sana(2003)
Post-Production Manager · Producer
Midcredits score: 79th percentile of all films
Pinay Pie (not in the MovieCove catalog yet)(2003)
Producer
Ang Tanging Ina (not in the MovieCove catalog yet)(2003)
Producer
The Seventies(2002)
Post-Production Manager
Midcredits score: 93rd percentile of all films
Videoke King (not in the MovieCove catalog yet)(2002)
Producer
Forevermore(2002)
Producer
Midcredits score: 83rd percentile of all films
Why Not Make It Real (not in the MovieCove catalog yet)(2001)
Producer
Mila (not in the MovieCove catalog yet)(2001)
Producer
Narinig Mo Na Ba Ang L8est? (not in the MovieCove catalog yet)(2001)
Producer
Ooops, teka lang... Diskarte ko 'to!(2001)
Producer
Midcredits score: 81st percentile of all films (provisional, few ratings)
A Change of Heart(2000)
Producer
Midcredits score: 86th percentile of all films
Tunay na tunay: Gets mo? Gets ko!(2000)
Producer
Midcredits score: 75th percentile of all films (provisional, few ratings)
Soltera(1999)
Line Producer
Midcredits score: 53rd percentile of all films
Kay Tagal Kang Hinintay (not in the MovieCove catalog yet)(1998)
Supervising Producer
I Love You, If That's Okay(1998)
Supervising Producer
Midcredits score: 83rd percentile of all films
Dahil Mahal Na Mahal Kita(1998)
Supervising Producer
Midcredits score: 89th percentile of all films
Kahit Pader Gigibain Ko (not in the MovieCove catalog yet)(1998)
Line Producer
NBI: The Mariano Mison Story (not in the MovieCove catalog yet)(1997)
Supervising Producer
Ama, ina, anak(1996)
Line Producer
Midcredits score: 71st percentile of all films
Pulis Probinsya 2: Tapusin Na Natin Ang Laban (not in the MovieCove catalog yet)(1995)
Associate Producer
Tunay na Magkaibigan, Walang Iwanan... Peksman! (not in the MovieCove catalog yet)(1994)
Associate Producer
Nandito Ako (not in the MovieCove catalog yet)(1994)
Associate Producer
Minsan lang kitang iibigin(1994)
Associate Producer
Midcredits score: 64th percentile of all films
Dunkin Donato (not in the MovieCove catalog yet)(1993)
Associate Producer
Teacher... Teacher I Love You (not in the MovieCove catalog yet)(1993)
Associate Producer
Only You (not in the MovieCove catalog yet)(1993)
Associate Producer
Buenaventura Daang: Bad Boys Gang(1993)
Producer
Barbi for President (not in the MovieCove catalog yet)(1991)
Associate Producer
She-Man, Mistress of the Universe(1988)
Production Office Assistant
Midcredits score: 32nd percentile of all films (provisional, few ratings)
Puto (not in the MovieCove catalog yet)(1987)
Associate Producer
Send in the Clowns (not in the MovieCove catalog yet)(1986)
Associate Producer
Ma'am, May We Go Out? (not in the MovieCove catalog yet)(1985)
Associate Producer

Career shape

A full career of 60 titles from 1985 to 2026.

Biggest box office

Starting Over Again (2014)

$9.2M worldwide

Highest rated

Seven Sundays (2017)

Midcredits 92^nd

By role

only this rolewith another role

Producing45 of 60 · 70^thOther crew17 of 60 · 65^th

By decade

1980s4 · crew1990s15 · crew2000s20 · crew2010s16 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Elma S. Medua's films land?

Their typical MovieCove film has a Midcredits score in the 67^th percentile, the median of the 54 of 55 with a score; across their 43 films with reception data, the typical film sits in the 68^th percentile for acclaim.

Acclaim · how much people like their films

68^thpercentile

Typical film, the median of 43

Approval · how many liked their films

62^ndpercentile

Typical film, the median of 43

Reach · how many have seen their films

42^ndpercentile

Typical film, the median of 43

Midcredits score across 55 titles, by percentile

75^th and up17
50^th to 74^th29
25^th to 49^th6
Below 25^th3

Shape of the crowd

28 of their 55 titles are Divisive.

Loved with Detractors2
Divisive28
Cult Classic11
Mixed14

Most divisive · producer

Ooops, teka lang... Diskarte ko 'to! (2001)

99^th percentile spread · 37% rated it 4 or lower

Most loved · producer

Seven Sundays (2017)

Midcredits 92^nd · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.