Marizel Samson-Martinez

Producer

Works as: Producer
Titles: 84 on MovieCove · 109 credits in all
Links: IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Down 28% in 30 days

What are Marizel Samson-Martinez's films like?

Across their 83 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Bonds

48%

Self

24%

Morality

13%

Survival

Power

Society

Ideas

Romantic love44 Family bonds18 Self-worth18 Identity16 Friendship13 Purpose8 Survival7 Grief7

What they feel like to watch

their average across 83 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 1 · Wry 3 · Earnest 79

Serious

Tone · Weight

lightdark

A split, not a type: Light 44 · Serious 28 · Dark 11

Grounded

Tone · Style

naturalisticheightened

Grounded 64 · Stylized 17 · Heightened 2

Charged

Feel · Intensity

gentleintense

Gentle 27 · Charged 47 · Intense 9

Shifting

Feel · Swings

steadyswings

A split, not a type: Steady 44 · Shifting 34 · Whiplash 5

Some laughs

Feel · Humor

noneconstant

A split, not a type: Straight-faced 33 · Some laughs 32 · Funny 18

Even-paced

Demand · Pace

slowrelentless

A split, not a type: Slow burn 43 · Even-paced 40 · Relentless 0

Casual

Demand · Attention

casualfull focus

Casual 57 · Engaged 24 · Full focus 2

Affecting

Demand · Emotional cost

easyheavy

Easy watch 30 · Affecting 30 · Heavy 23

Resolved

Demand · Resolution

resolvedambiguous

Resolved 70 · Open-ended 11 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic

Melancholic

Joyful

Bittersweet

Hopeful

Other

How their films linger

Feel-good37 Hopeful40 Bittersweet35 Fun20 Unsettling10 Thought-provoking9

How their films end · 9 with a twist

Happy25
Bittersweet48
Ambiguous10

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marizel Samson-Martinez's films?

As of October 24, 2026, 24 of their 84 MovieCove titles stream on a subscription or free service, most on Netflix (21).

Also on these channels

Pinoy Box Office1 title, show their title on Pinoy Box Office

Subscription and free streaming for Marizel Samson-Martinez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

109 credits, 84 with a MovieCove page.

Us in the End(2026)
Supervising Producer
Midcredits score: 77th percentile of all films
Call Me Mother(2025)
Supervising Producer
Midcredits score: 75th percentile of all films
Love You So Bad(2025)
Supervising Producer
Midcredits score: 64th percentile of all films
Meet, Greet & Bye(2025)
Supervising Producer
Midcredits score: 71st percentile of all films
Only We Know(2025)
Supervising Producer
Midcredits score: 68th percentile of all films
My Love Will Make You Disappear(2025)
Supervising Producer
Midcredits score: 67th percentile of all films
Sosyal Climbers(2025)
Supervising Producer
Midcredits score: 25th percentile of all films
And the Breadwinner Is...(2024)
Supervising Producer
Midcredits score: 66th percentile of all films
Hello, Love, Again(2024)
Supervising Producer
Midcredits score: 60th percentile of all films
Un/Happy for You(2024)
Supervising Producer
Midcredits score: 37th percentile of all films
I Am Not Big Bird(2024)
Supervising Producer
Midcredits score: 30th percentile of all films
Rewind(2023)
Supervising Producer
Midcredits score: 70th percentile of all films
A Very Good Girl(2023)
Supervising Producer
Midcredits score: 31st percentile of all films
Third World Romance(2023)
Supervising Producer
Midcredits score: 64th percentile of all films
Sparks Camp (not in the MovieCove catalog yet)(2023)
Show 9 episodes · Supervising Producer
Mama Susan's Friends (not in the MovieCove catalog yet)(2023)
Supervising Producer
Teen Clash (not in the MovieCove catalog yet)(2023)
Show 10 episodes · Supervising Producer
Labyu with an Accent(2022)
Supervising Producer
Midcredits score: 12th percentile of all films
Partners in Crime(2022)
Supervising Producer
Midcredits score: 15th percentile of all films
An Inconvenient Love(2022)
Supervising Producer
Midcredits score: 65th percentile of all films
Tara, G! (not in the MovieCove catalog yet)(2022)
Show 10 episodes · Supervising Producer
Momshies! Your Soul Is Mine(2021)
Supervising Producer
Midcredits score: 25th percentile of all films
He's Into Her (not in the MovieCove catalog yet)(2021)
Show 10 episodes · Supervising Producer
Love or Money (not in the MovieCove catalog yet)(2021)
Supervising Producer
Hello, Stranger: The Movie(2021)
Producer
Midcredits score: 79th percentile of all films
Love at First Stream(2021)
Producer
Midcredits score: 46th percentile of all films
Love Is Color Blind(2021)
Producer
Midcredits score: 76th percentile of all films
Princess Dayareese(2021)
Producer
Midcredits score: 48th percentile of all films
Four Sisters Before the Wedding (not in the MovieCove catalog yet)(2020)
Supervising Producer
Boyette: Not a Girl Yet (not in the MovieCove catalog yet)(2020)
Supervising Producer
My Lockdown Romance (not in the MovieCove catalog yet)(2020)
Supervising Producer
Fan Girl(2020)
Supervising Producer
Midcredits score: 61st percentile of all films
U-Turn (not in the MovieCove catalog yet)(2020)
Producer
The House Arrest of Us (not in the MovieCove catalog yet)(2020)
Show 13 episodes · Supervising Producer
Death of Nintendo(2020)
Producer
Midcredits score: 40th percentile of all films
James & Pat & Dave (not in the MovieCove catalog yet)(2020)
Supervising Producer
Block Z(2020)
Producer
Midcredits score: 36th percentile of all films
M&M: The Mall The Merrier(2019)
Supervising Producer
Midcredits score: 14th percentile of all films
Isa Pa, With Feelings (not in the MovieCove catalog yet)(2019)
Supervising Producer
ANi(2019)
Producer
Midcredits score: 3rd percentile of all films (provisional, few ratings)
Between Maybes(2019)
Supervising Producer
Midcredits score: 46th percentile of all films
Alone/Together(2019)
Supervising Producer
Midcredits score: 60th percentile of all films
Clarita(2019)
Producer
Midcredits score: 36th percentile of all films
Hello, Love, Goodbye(2019)
Producer
Midcredits score: 80th percentile of all films
Motel Acacia(2019)
Producer
Midcredits score: 1st percentile of all films
Open(2019)
Producer
Midcredits score: 62nd percentile of all films
Unbreakable(2019)
Producer
Midcredits score: 71st percentile of all films
Fantastica(2018)
Supervising Producer
Midcredits score: 18th percentile of all films
Ode to Nothing (not in the MovieCove catalog yet)(2018)
Producer
The Hows of Us(2018)
Supervising Producer
Midcredits score: 79th percentile of all films
Kasal(2018)
Supervising Producer
Midcredits score: 64th percentile of all films
My Perfect You(2018)
Producer
Midcredits score: 81st percentile of all films
Sin Island(2018)
Producer
Midcredits score: 16th percentile of all films
Love You to the Stars and Back(2017)
Supervising Producer
Midcredits score: 86th percentile of all films
Bloody Crayons(2017)
Producer
Midcredits score: 32nd percentile of all films
Can't Help Falling in Love(2017)
Producer
Midcredits score: 76th percentile of all films
Extra Service(2017)
Producer
Midcredits score: 15th percentile of all films
Finally Found Someone(2017)
Producer
Midcredits score: 45th percentile of all films
Gandarrapiddo: The Revenger Squad(2017)
Producer
Midcredits score: 15th percentile of all films
Last Night(2017)
Producer
Midcredits score: 59th percentile of all films
Loving in Tandem(2017)
Producer
Midcredits score: 69th percentile of all films
My Ex and Whys(2017)
Producer
Midcredits score: 48th percentile of all films
The Ghost Bride(2017)
Producer
Midcredits score: 33rd percentile of all films
The Achy Breaky Hearts(2016)
Supervising Producer
Midcredits score: 53rd percentile of all films
Always Be My Maybe(2016)
Producer
Midcredits score: 64th percentile of all films
Barcelona: A Love Untold(2016)
Producer
Midcredits score: 66th percentile of all films
Just the 3 of Us(2016)
Producer
Midcredits score: 66th percentile of all films
The Super Parental Guardians(2016)
Producer
Midcredits score: 27th percentile of all films
The Third Party(2016)
Producer
Midcredits score: 44th percentile of all films
Vince & Kath & James(2016)
Producer
Midcredits score: 65th percentile of all films
All You Need Is Pag-ibig(2015)
Supervising Producer
Midcredits score: 45th percentile of all films
The Love Affair(2015)
Script Consultant · Supervising Producer
Midcredits score: 51st percentile of all films
Beauty and the Bestie(2015)
Producer
Midcredits score: 30th percentile of all films
Etiquette for Mistresses(2015)
Producer
Midcredits score: 50th percentile of all films
Ex with Benefits(2015)
Producer
Midcredits score: 33rd percentile of all films
Halik sa hangin(2015)
Producer
Midcredits score: 35th percentile of all films
Just the Way You Are(2015)
Producer
Midcredits score: 58th percentile of all films
The Breakup Playlist(2015)
Producer
Midcredits score: 56th percentile of all films
She's Dating the Gangster(2014)
Supervising Producer
Midcredits score: 82nd percentile of all films
Bride for Rent(2014)
Producer
Midcredits score: 57th percentile of all films
Feng Shui 2(2014)
Producer
Midcredits score: 25th percentile of all films
Maria, Leonora, Teresa(2014)
Producer
Midcredits score: 30th percentile of all films
The Trial(2014)
Producer
Midcredits score: 58th percentile of all films
Pagpag: Nine Lives (not in the MovieCove catalog yet)(2013)
Supervising Producer
On the Job (not in the MovieCove catalog yet)(2013)
Supervising Producer
It Takes a Man and a Woman(2013)
Supervising Producer
Midcredits score: 66th percentile of all films
She's the One(2013)
Producer
Midcredits score: 53rd percentile of all films
One More Try (not in the MovieCove catalog yet)(2012)
Script Consultant · Supervising Producer
Amorosa: The Revenge(2012)
Producer
Midcredits score: 20th percentile of all films
Suddenly It's Magic(2012)
Producer
Midcredits score: 46th percentile of all films
Way Back Home(2011)
Supervising Producer
Midcredits score: 73rd percentile of all films
In the Name of Love(2011)
Producer
Midcredits score: 64th percentile of all films
No Other Woman(2011)
Producer
Midcredits score: 45th percentile of all films
Miss You Like Crazy(2010)
Supervising Producer
Midcredits score: 49th percentile of all films
Paano na Kaya (not in the MovieCove catalog yet)(2010)
Supervising Producer
My Amnesia Girl(2010)
Producer
Midcredits score: 65th percentile of all films
In My Life(2009)
Producer
Midcredits score: 50th percentile of all films
My Only Ü (not in the MovieCove catalog yet)(2008)
Producer
For the First Time (not in the MovieCove catalog yet)(2008)
Producer
SupahPapalicious (not in the MovieCove catalog yet)(2008)
Producer
You Got Me!(2007)
Producer
Midcredits score: 42nd percentile of all films
First Day High(2006)
Producer
Midcredits score: 45th percentile of all films
Bcuz Of U (not in the MovieCove catalog yet)(2004)
Producer
Now That I Have You (not in the MovieCove catalog yet)(2004)
Producer
Milan(2004)
Producer
Midcredits score: 72nd percentile of all films
Till There Was You (not in the MovieCove catalog yet)(2003)
Producer
Got 2 Believe(2002)
Producer
Midcredits score: 91st percentile of all films
Minsan, minahal kita(2000)
Associate Producer
Midcredits score: 83rd percentile of all films
Kay Tagal Kang Hinintay (not in the MovieCove catalog yet)(1998)
Production Manager

Career shape

A full career of 65 titles from 1998 to 2026.

Biggest box office

Hello, Love, Again (2024)

$23M worldwide

Highest rated

Got 2 Believe (2002)

Midcredits 91^st

By role

only this rolewith another role

Writing2 of 65Producing64 of 65 · 61^stOther crew1 of 65

By decade

1990s1 · crew2000s10 · crew2010s22 · crew2020s32 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Marizel Samson-Martinez's films land?

Their typical MovieCove film has a Midcredits score in the 53^rd percentile, the median of all 84; across their 83 films with reception data, the typical film sits in the 54^th percentile for acclaim.

Acclaim · how much people like their films

54^thpercentile

Typical film, the median of 83

Approval · how many liked their films

52^ndpercentile

Typical film, the median of 83

Reach · how many have seen their films

54^thpercentile

Typical film, the median of 83

Midcredits score across 84 titles, by percentile

75^th and up12
50^th to 74^th34
25^th to 49^th28
Below 25^th10

Shape of the crowd

43 of their 84 titles are Divisive.

Loved with Detractors6
Divisive43
Cult Classic14
Broadly Agreed1
Mixed20

Most divisive · producer

Fantastica (2018)

99^th percentile spread · 52% rated it 4 or lower

Most loved · producer

Got 2 Believe (2002)

Midcredits 91^st · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.