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What are Jackie Y. Liu's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
50%
Morality
28%
Power
18%
Survival
4%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 4

Grounded 5 · Stylized 0 · Heightened 0

A split, not a type: Gentle 1 · Charged 1 · Intense 3

Steady 1 · Shifting 4 · Whiplash 0

Straight-faced 3 · Some laughs 2 · Funny 0

A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 2

Casual 2 · Engaged 2 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 3

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Dread
2
Melancholic
2
Hopeful
2
Warm
1
Other
1

How their films end · 1 with a twist

  • Happy1
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jackie Y. Liu's films?

As of October 24, 2026, none of Jackie Y. Liu's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Jackie Y. Liu's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

  • Ama, ina, anak(1996)

    Producer

    Midcredits score: 71st percentile of all films
  • In My Own Hands(1996)

    Producer

    Midcredits score: 54th percentile of all films
  • Eskapo(1995)

    Producer

    Midcredits score: 80th percentile of all films (provisional, few ratings)
  • Midcredits score: 64th percentile of all films
  • Pare Ko(1995)

    Producer

    Midcredits score: 66th percentile of all films

Career shape

Across their 5 MovieCove titles from 1995 to 1996.

By role

only this rolewith another role
Producing5 of 5: 5 only producing, 0 with another role · typical Midcredits score66th

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jackie Y. Liu's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 5

Approval · how many liked their films

59thpercentile
Typical film, the median of 5

Reach · how many have seen their films

28thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jackie Y. Liu work with?

People who share at least 2 of Jackie Y. Liu's MovieCove titles, grouped by what they did on them; Charo Santos-Concio shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers