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Barry Ehrmann

Barry Ehrmann

Producer, also director

Primetime Emmy nominee

CAREER PROFILE EXECUTIVE MANAGER / VIDEO PRODUCER - ENTERTAINMENT INDUSTRY Dynamic 29-year career built on groundbreaking management, production and licensing success in the entertainment industry with specialization in music and events. Natural business savvy to excel in all areas of business operations, develop companies and manage growth. Proven achievement in: Ø TV, DVD & Streaming Productions Ø Strategic Partnerships & Alliances Ø Content Licensing & Acquisition Ø Marketing & Advertising Campaigns Ø Event Management Ø Strategic Business Planning Ø Concert Tour Management & Production Ø Copyright Law & Business Affairs PROFESSIONAL HIGHLIGHTS Enliven Entertainment LLC. - New York, NY/Santa Monica, CA - 2001 to Present PRESIDENT & SENIOR PRODUCER Negotiated rights, broadcast partnerships, event management and production of multi-camera music, comedy & event productions for television, DVD & Internet streaming. Pitched concepts, negotiated rights and licensed content between rights owners, record labels and distributors. Selected Achievements: Ø Produced concerts for television specials & DVD release for artists such as Jeff Beck, Shawn Mendes, Cheap Trick, Def Leppard, Fall Out Boy, Katt Williams, Martin Lawrence, Heart, Elvis Costello, Lynyrd Skynyrd, The Who, B-52s, ZZ Top, Lindsey Buckingham, Black Sabbath, Jason Aldean, Alan Jackson, Deep Purple, Stone Temple Pilots, and many others. Ø Facilitated and negotiated strategic content relationship with record labels, video distributors and television networks such as Warner Brothers, Sony Music, Universal Music, Island/Def Jam, Image Entertainment, Eagle Rock, Pioneer Entertainment, BMG, HBO, Showtime, Comedy Central, PBS, NBC, MTV, VH1, CMT and others. Ø Initiated archival partnerships with estates & artists for the digitization and monetizing of their archives for television, CD and DVD release. Clients include the John Denver Estate, Ronnie James Dio Estate, The Doobie Brothers, Farm Aid, Cheap Trick, Ralph Gleason Archives, and The Who. MCY Music World, Inc. - New York, NY - 1999 to 2001 VICE PRESIDENT - MUSIC DIVISION (2000 - 2001) DIRECTOR - CONTENT ACQUISITION & MARKETING (1999 - 2000) Negotiated rights, licensed, and marketed content for this start up Internet and broadcast music company, providing piracy-proof, digitally-downloadable music endorsed by artists and record labels. Identified and cultivated strategic alliances with online and offline partners. Managed website production of content and webcasts. Transitioned company to a pioneering Internet streaming "Pay-Per-View" business model, recording, producing, and offering exclusive webcasts of premium music events and concert videos of top stars across all genres. Expanded concept to broadcast content to all media including television, home video, and DVD. Selected Achievements: Ø Facilitated and negotiated strategic content relationship with SFX/Live Nation, obtaining rights to music events, theatrical shows, and sporting events. Ø Initiated and acquired sponsorship and webcast deals with two widely popular bands -Backstreet Boys and *NSYNC - generating $60 million+ in new investment funds. Ø Spearheaded and produced content for first foray into traditional media with television pay-per-view special - Ozzfest 2000. Ø Produced concert video productions for Internet, television, and DVD viewing, with such notable artists as Backstreet Boys, *NSYNC, Paul McCartney, and Sammy Hagar. Paradigm Music Entertainment - New York, NY - 1996 to 1998 SENIOR VICE PRESIDENT Recruited to launch new division for international record company. Oversaw staff of 10, set budgets, established strategic growth plan, and led sales and marketing. Coordinated promotions and public relations. Directed new artist development. Negotiated and licensed unreleased master recordings and compilation of albums and masters. Drafted recording, licensing, and publishing agreements. Handled production including tape restoration, mixing, and mastering. Selected Achievements: Ø Exceeded expectations, generating more than $2 million sales in first year for start-up record division. Ø Pursued and achieved lucrative, advance-per-release distribution deal with Navarre Corporation. Ø Piloted new division - Archive Recordings - credited with enabling company to raise critical capital, acquire major businesses such as Internet giant SonicNet, and eventual purchase of Paradigm by TCI/Liberty Media. King Biscuit Flower Hour Records, Inc. - New York, NY - 1992 to 1996 PRESIDENT Partnered with German record company (MMS), launching New York office from ground up. Managed entire operations including staffing, business planning, budgeting, sales and marketing, production, promotions, and public relations. Acquired music and artists; negotiated record and publishing contracts. Selected Achievements: Ø Secured rights to King Biscuit Flower Hour radio show, consisting of 20 years of live concerts from more than 450 rock artists, and breaking new ground by transferring archive to CDs for commercial release. Ø Drove venture to commercial success against overwhelming odds - diligently researching contractual rights between King Biscuit artists and respective labels, setting deals, and negotiating distribution agreement with BMG. INDUSTRY AFFILIATIONS Membership in: Ø National Association of Recording Arts & Sciences Ø National Academy of Television Arts & Sciences Willing to travel or relocate.

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Biography from IMDb.

Works as
Producer, also director
Titles
21 on MovieCove · 32 credits in all

What are Barry Ehrmann's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Society and Self.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

Light 19 · Serious 1 · Dark 0

Grounded 15 · Stylized 3 · Heightened 2

Gentle 15 · Charged 4 · Intense 1

Steady 19 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 11 · Some laughs 4 · Funny 5

A split, not a type: Slow burn 11 · Even-paced 8 · Relentless 1

Casual 19 · Engaged 1 · Full focus 0

Resolved 20 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
20
Warm
13
Hopeful
5
Contemplative
5
Triumphant
4
Other
8

How their films end

  • Happy17
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Barry Ehrmann's films?

As of October 24, 2026, 13 of their 21 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Barry Ehrmann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 21 with a MovieCove page.

Career shape

A full career of 13 titles from 1986 to 2024.

By role

only this rolewith another role
Directing1 of 13: 1 only directing, 0 with another roleProducing12 of 13: 12 only producing, 0 with another role

By decade

1980s1 · crew2000s3 · crew2010s5 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

Awards

Nominated for a Primetime Emmy in 2024, Outstanding Variety Special (Pre-Recorded).

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Barry Ehrmann's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of the 17 of 20 with a score; across their 17 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 17

Approval · how many liked their films

80thpercentile
Typical film, the median of 17

Reach · how many have seen their films

20thpercentile
Typical film, the median of 17

Midcredits score across 18 titles, by percentile

  • 75th and up11
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th1

Reviewers score the atmosphere 64/100 and the pacing 49/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Barry Ehrmann work with?

People who share at least 2 of Barry Ehrmann's MovieCove titles, grouped by what they did on them; Ned Doyle shares the most, 9.

Directors

Writers

Actors

Cinematographers and editors

Producers

  • Ned Doyle9 titles
    See all 9 shared titles with Ned Doyle
  • Geoff Kempin5 titles
    See all 5 shared titles with Geoff Kempin
  • Terry Shand5 titles
    See all 5 shared titles with Terry Shand
  • Matt Friedman4 titles
    See all 4 shared titles with Matt Friedman