Maurizio Filardo

What are Maurizio Filardo's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Maurizio Filardo's films?

As of October 24, 2026, 1 of their 10 MovieCove titles stream on a subscription or free service.

• Disney+1 title, browse their movies on this service
  • The Lions of Sicily (2023) · composer
• Hulu1 title, browse their movies on this service
  • The Lions of Sicily (2023) · composer

Subscription and free streaming for Maurizio Filardo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  Alla festa della Rivoluzione(2026)

  Composer

  Midcredits score: 20th percentile of all films20^th
• 

  Madly(2025)

  Composer

  Midcredits score: 82nd percentile of all films82^nd
• 

  The First Day of My Life(2023)

  Composer

  Midcredits score: 75th percentile of all films75^th
• 

  The Lions of Sicily(2023)

  Show Composer

  Midcredits score: 48th percentile of all shows48^th
• 

  Superheroes(2021)

  Composer

  Midcredits score: 77th percentile of all films77^th
• 

  È per il tuo bene(2020)

  Composer

  Midcredits score: 21st percentile of all films21^st
• 

  The Place(2017)

  Composer

  Midcredits score: 81st percentile of all films81^st
• 

  Perfect Strangers(2016)

  Composer

  Midcredits score: 97th percentile of all films97^th
• 

  Ever Been to the Moon?(2015)

  Composer

  Midcredits score: 45th percentile of all films45^th
• 

  Blame Freud(2014)

  Composer

  Midcredits score: 62nd percentile of all films62^nd

Career shape

Across their 10 MovieCove titles from 2014 to 2026.

Biggest box office

Perfect Strangers (2016)

$33M worldwide

Highest rated

Perfect Strangers (2016)

Midcredits 97^th

How do Maurizio Filardo's films land?

Their typical MovieCove film has a Midcredits score in the 75^th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 73^rd percentile for acclaim.

Shape of the crowd

5 of their 10 titles are Crowd Pleasers.

53

• Universally Loved1
• Crowd Pleaser5
• Broadly Agreed3
• Mixed1

Most divisive · composer

Alla festa della Rivoluzione (2026)

68^th percentile spread · 47% rated it 4 or lower

Most loved · composer

Perfect Strangers (2016)

Midcredits 97^th · 89% liked

Reviewers score the sound and music 65/100 in their films, across 4 reviewed titles; fans 69, detractors 28. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Maurizio Filardo's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Maurizio Filardo work with?

People who share at least 2 of Maurizio Filardo's MovieCove titles, grouped by what they did on them; Consuelo Catucci shares the most, 9.