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Andrea Ajemian

Producer, also writer · Born August 15, 1975 (51) · Worcester, Massachusetts, USA

Andrea grew up in Worcester County, Massachusetts in the small town of Rutland. She's been producing films for over twenty years. She was an Executive Producer on "I Care A Lot," for which Rosamund Pike won a Golden Globe in 2021. Recent credits include "Honest Thief" starring Liam Neeson, and "The Unholy" starring Jeffrey Dean Morgan.

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Biography from IMDb.

Born
August 15, 1975 (51)
From
Worcester, Massachusetts, USA
Works as
Producer, also writer
Titles
23 on Motif · 26 credits in all
TMDB popularity, last 157 days to Oct 28Down 25% in 30 days

What are Andrea Ajemian's films like?

Across their 21 Motif titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 15 · Stylized 3 · Heightened 1

A split, not a type: Gentle 4 · Charged 6 · Intense 9

Steady 6 · Shifting 10 · Whiplash 3

Straight-faced 14 · Some laughs 4 · Funny 1

Slow burn 6 · Even-paced 12 · Relentless 1

Casual 8 · Engaged 10 · Full focus 1

Resolved 16 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Dread
7
Melancholic
9
Hopeful
8
Warm
4
Other
18

How their films end · 1 with a twist

  • Happy6
  • Bittersweet8
  • Tragic2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrea Ajemian's films?

As of October 24, 2026, 22 of their 23 Motif titles stream on a subscription or free service, most on Tubi (13).

Subscription and free streaming for Andrea Ajemian's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 23 with a Motif page.

  • It Ends with Us(2024)

    Executive Producer · Unit Production Manager

    Midcredits score: 49th percentile of all films
  • Love Again(2023)

    Unit Production Manager

    Midcredits score: 39th percentile of all films
  • The Curse of Bridge Hollow(2022)

    Executive Producer

    Midcredits score: 30th percentile of all films
  • The Unholy(2021)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • I Care a Lot(2020)

    Executive Producer · Unit Production Manager

    Midcredits score: 53rd percentile of all films
  • Honest Thief(2020)

    Executive Producer · Unit Production Manager

    Midcredits score: 38th percentile of all films
  • Midcredits score: 15th percentile of all films
  • Slender Man(2018)

    Co-Producer

    Midcredits score: 1st percentile of all films
  • Proud Mary(2018)

    Producer

    Midcredits score: 16th percentile of all films
  • One of Us(2017)

    Writer

    Midcredits score: 12th percentile of all films
  • Unprotected(2017)

    Show Producer

    Midcredits score: 13th percentile of all shows (provisional, few ratings)
  • Animal ER(2016)

    Show Producer

    Midcredits score: 83rd percentile of all shows
  • Midcredits score: 65th percentile of all films
  • Fatal Flip(2015)

    Producer

    Midcredits score: 12th percentile of all films
  • The Assault(2014)

    Producer

    Midcredits score: 55th percentile of all films
  • Don't Look Back(2014)

    Producer

    Midcredits score: 27th percentile of all films
  • Last Hours in Suburbia(2012)

    Co-Producer · Line Producer

    Midcredits score: 33rd percentile of all films
  • Sins of the Preacher(2013)

    Producer

    Midcredits score: 24th percentile of all films
  • A Deadly Obsession(2012)

    Co-Producer

    Midcredits score: 7th percentile of all films
  • Sexting in Suburbia(2012)

    Co-Producer

    Midcredits score: 41st percentile of all films
  • Midcredits score: 30th percentile of all films
  • A Kiss for Christmas(2011)

    Producer

    Midcredits score: 50th percentile of all films
  • Breakdance Academy (not in the Motif catalog yet)(2010)

    as Gloria

  • Still Green (not in the Motif catalog yet)(2009)

    as Dana

  • My Dinner with Jimi(2003)

    as Pamela

    Midcredits score: 53rd percentile of all films
  • Rubber Hut (not in the Motif catalog yet)

    Executive Producer

Career shape

A full career of 20 titles, 19 of them dated from 2003 to 2024.

By role

only this rolewith another role
Acting3 of 20: 3 only acting, 0 with another roleWriting1 of 20: 1 only writing, 0 with another roleProducing15 of 20: 12 only producing, 3 with another role · typical Midcredits score32ndOther crew4 of 20: 1 only other crew, 3 with another role

20 titles, 3 with more than one role — producing and other crew overlap on 3 of them.

By decade

2000s2 · acting2010s11 · 1 acting · 10 crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Andrea Ajemian's films land?

Their typical Motif film has a Midcredits score in the 30th percentile, the median of all 21; across their 19 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 19

Approval · how many liked their films

27thpercentile
Typical film, the median of 19

Reach · how many have seen their films

78thpercentile
Typical film, the median of 19

Midcredits score across 23 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th8
  • Below 25th9

Shape of the crowd

17 of their 23 titles are Mixed.

  • Universally Panned2
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed17

Reviewers score the dialogue 37/100 and the plot and story 38/100 in their films, across 19 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andrea Ajemian's work okay for kids?

Across up to 10 Motif titles with content scores, violence & gore and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles36–68 · median 58 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles9–42 · median 28 · mildnear the median of all filmsMedian of all films: 32
Profanity9 titles15–60 · median 40 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs9 titles22–39 · median 35 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense9 titles36–75 · median 49 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Andrea Ajemian work with?

People who share at least 2 of Andrea Ajemian's Motif titles, grouped by what they did on them; Fernando Szew shares the most, 11.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles