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Marie-Claude Poulin

Marie-Claude Poulin

Producer

Works as
Producer
Titles
14 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 39% in 30 days

What are Marie-Claude Poulin's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama7 titlesTypical Midcredits score: 85th percentile, at or above their average across these genres
: browse their Drama movies
Comedy4 titlesTypical Midcredits score: 35th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
40%
Bonds
27%
Morality
14%
Survival
11%
Power
3%
Society
3%
Ideas
2%
Identity5 titles, browse their movies with this themeRomantic love5 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 4 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 9 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 6 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 9 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 3 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 8 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 4 · Heavy 7

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 8 · Open-ended 2 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Hopeful
6
Melancholic
6
Dread
3
Romantic
4
Other
9

How their films linger

Hopeful7 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet5
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marie-Claude Poulin's films?

As of October 24, 2026, 11 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Marie-Claude Poulin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 14 with a MovieCove page.

  • 1995 (not in the MovieCove catalog yet)(2024)

    Producer

  • The Dishwasher (not in the MovieCove catalog yet)(2023)

    Producer

  • Le plongeur : du livre à l’écran (not in the MovieCove catalog yet)(2023)

    Producer · as Self

  • Ride Above(2022)

    Producer

    Midcredits score: 55th percentile of all films

  • Death of a Ladies' Man(2020)

    Producer

    Midcredits score: 37th percentile of all films

  • The Curse of Audrey Earnshaw(2020)

    Executive Producer

    Midcredits score: 12th percentile of all films

  • Skin(2018)

    Co-Producer · Producer

    Midcredits score: 73rd percentile of all films

  • Eye on Juliet(2017)

    Producer

    Midcredits score: 61st percentile of all films

  • Boundaries (not in the MovieCove catalog yet)(2016)

    Producer

  • A Kid(2016)

    Co-Producer

    Midcredits score: 88th percentile of all films

  • Brooklyn(2015)

    Co-Producer

    Midcredits score: 95th percentile of all films

  • The Masters of Suspense(2014)

    Producer

    Midcredits score: 45th percentile of all films

  • Meetings with a Young Poet (not in the MovieCove catalog yet)(2014)

    Producer

  • Miraculum (not in the MovieCove catalog yet)(2014)

    Producer

  • Three Night Stand(2013)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • The Colony(2013)

    Producer

    Midcredits score: 14th percentile of all films

  • Cyanide (not in the MovieCove catalog yet)(2013)

    Co-Producer

  • War Witch(2012)

    Producer

    Midcredits score: 85th percentile of all films

  • Café de Flore(2011)

    Producer

    Midcredits score: 86th percentile of all films

  • Let it Ride: The Craig Kelly story (not in the MovieCove catalog yet)(2006)

    Executive Producer

  • White Coats(2004)

    Executive Producer

    Midcredits score: 26th percentile of all films

  • Shadow of the Vampire(2000)

    Thanks

    Midcredits score: 77th percentile of all films

  • Ethel (not in the MovieCove catalog yet)

    Producer

  • Lucky Girl (not in the MovieCove catalog yet)

    Co-Producer

Career shape

A full career of 23 titles, 21 of them dated from 2000 to 2024.

Biggest box office

Brooklyn (2015)

$62M worldwide

Highest rated

Brooklyn (2015)

Midcredits 95th

By role

only this rolewith another role
Producing22 of 23: 22 only producing, 0 with another role · typical Midcredits score50thOther crew1 of 23: 1 only other crew, 0 with another role

By decade

2000s3 · crew2010s12 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Marie-Claude Poulin's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 13

Approval · how many liked their films

46thpercentile
Typical film, the median of 13

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 13

Midcredits score across 14 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

5 of their 14 titles are Mixed.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed5

Most divisive · producer

Three Night Stand (2013)

87th percentile spread · 30% rated it 4 or lower

Most loved · producer

Brooklyn (2015)

Midcredits 95th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Marie-Claude Poulin's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 80 · intenseMedian of all films: 44
Sex & Nudity5 titles29–59 · median 52 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 68 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 42 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 61 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Marie-Claude Poulin work with?

People who share at least 2 of Marie-Claude Poulin's MovieCove titles, grouped by what they did on them; Pierre Even shares the most, 9.

Directors

Actors

Editors

Producers