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Motif

Yesenia Higuera

Editor and producer

Works as
Editor and producer
Titles
4 on Motif · 5 credits in all
TMDB popularity, last 39 days to Oct 28Down 18% in 30 days

What are Yesenia Higuera's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Ideas and Power.

Themes

share of theme weight
Ideas
34%
Power
29%
Self
28%
Morality
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 1 · Shifting 1 · Whiplash 1

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
2
Warm
2
Thrilling
1
Hopeful
1
Triumphant
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yesenia Higuera's films?

As of October 24, 2026, 3 of their 4 Motif titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Yesenia Higuera's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 4 with a Motif page.

  • A La Calle (not in the Motif catalog yet)(2020)

    Editor

  • Imagraphy(2019)

    Editor · Executive Producer

    Midcredits score: 91st percentile of all films (provisional, few ratings)
  • Deadline(2009)

    Digital Intermediate

    Midcredits score: 9th percentile of all films
  • The People Speak(2009)

    Editor

    Midcredits score: 83rd percentile of all films
  • The Art of Travel(2008)

    Editor

    Midcredits score: 56th percentile of all films

Career shape

A full career of 3 titles from 2009 to 2020.

By role

only this rolewith another role
Producing1 of 3: 0 only producing, 1 with another roleEditing2 of 3: 1 only editing, 1 with another roleOther crew1 of 3: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Yesenia Higuera's films land?

Their typical Motif film has a Midcredits score in the 70th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 3

Approval · how many liked their films

84thpercentile
Typical film, the median of 3

Reach · how many have seen their films

46thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • Below 25th1

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yesenia Higuera work with?

People who share at least 2 of Yesenia Higuera's Motif titles; Alan Pao shares the most, 2.