Alison Greenspan

Alison Greenspan is an American film and television producer. She is a graduate from the University of Pennsylvania. She began her career with a two-year stint at Creative Artists Agency and then spent three years as a creative executive at ImageMovers. She joined Denise Di Novi's Di Novi Pictures as VP of Development in 1999 and was promoted to President of Development in 2002. She joined Doug Robinson Productions in July 2017.

What are Alison Greenspan's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy7 titles67^th

Drama6 titles49^th

Adventure2 titles42^nd

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Bonds

52%

Self

28%

Survival

8%

Morality

6%

Power

5%

Society

2%

Family bonds10 Friendship5 Coming of age5 Romantic love3 Purpose3 Identity2 Self-worth3 Grief2

What they feel like to watch

their average across 16 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 0 · Wry 0 · Earnest 16

Light

Tone · Weight

lightdark

Light 10 · Serious 4 · Dark 2

Grounded

Tone · Style

naturalisticheightened

Grounded 11 · Stylized 5 · Heightened 0

Charged

Feel · Intensity

gentleintense

Gentle 6 · Charged 9 · Intense 1

Steady

Feel · Swings

steadyswings

Steady 11 · Shifting 4 · Whiplash 1

Some laughs

Feel · Humor

noneconstant

A split, not a type: Straight-faced 7 · Some laughs 6 · Funny 3

Even-paced

Demand · Pace

slowrelentless

A split, not a type: Slow burn 8 · Even-paced 5 · Relentless 3

Casual

Demand · Attention

casualfull focus

Casual 14 · Engaged 2 · Full focus 0

Affecting

Demand · Emotional cost

easyheavy

A split, not a type: Easy watch 7 · Affecting 5 · Heavy 4

Resolved

Demand · Resolution

resolvedambiguous

Resolved 16 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful

7

Melancholic

7

Warm

7

Romantic

7

Bittersweet

5

Other

15

How their films linger

Feel-good9 Hopeful8 Bittersweet5 Fun5 Devastating2

How their films end · 1 with a twist

Happy9
Bittersweet7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alison Greenspan's films?

As of October 24, 2026, 9 of their 17 MovieCove titles stream on a subscription or free service.

Also on these channels

Howdy3 titles, show their 3 titles on Howdy
Lifetime Movie Club1 title, show their title on Lifetime Movie Club
Lionsgate+1 title, show their title on Lionsgate+

Subscription and free streaming for Alison Greenspan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 17 with a MovieCove page.

For Life(2020)
Show 13 episodes · Executive Producer
Midcredits score: 83rd percentile of all shows
Unforgettable(2017)
Producer
Midcredits score: 16th percentile of all films
Beaches(2017)
Executive Producer
Midcredits score: 36th percentile of all films
The Best of Me(2014)
Producer
Midcredits score: 67th percentile of all films
You're Not You(2014)
Producer
Midcredits score: 87th percentile of all films
If I Stay(2014)
Producer
Midcredits score: 67th percentile of all films
The Lucky One(2012)
Executive Producer
Midcredits score: 57th percentile of all films
Monte Carlo(2011)
Producer
Midcredits score: 55th percentile of all films
Ramona and Beezus(2010)
Producer
Midcredits score: 66th percentile of all films
Nights in Rodanthe(2008)
Executive Producer
Midcredits score: 40th percentile of all films
The Sisterhood of the Traveling Pants 2(2008)
Executive Producer
Midcredits score: 54th percentile of all films
The Sisterhood of the Traveling Pants(2005)
Executive Producer
Midcredits score: 68th percentile of all films
Catwoman(2004)
Co-Producer
Midcredits score: 1st percentile of all films
New York Minute(2004)
Executive Producer
Midcredits score: 28th percentile of all films
Eloise at Christmastime(2003)
Producer
Midcredits score: 86th percentile of all films
Eloise at the Plaza(2003)
Producer
Midcredits score: 71st percentile of all films
What a Girl Wants(2003)
Executive Producer
Midcredits score: 45th percentile of all films
Splitfoot (not in the MovieCove catalog yet)
Producer

Career shape

A full career of 18 titles, 17 of them dated from 2003 to 2020.

Biggest box office

The Lucky One (2012)

$99M worldwide

Highest rated

You're Not You (2014)

Midcredits 87^th

By role

only this rolewith another role

Producing18 of 18 · 57^th

By decade

2000s8 · crew2010s8 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alison Greenspan's films land?

Their typical MovieCove film has a Midcredits score in the 56^th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 60^th percentile for acclaim.

Acclaim · how much people like their films

60^thpercentile

Typical film, the median of 16

Approval · how many liked their films

56^thpercentile

Typical film, the median of 16

Reach · how many have seen their films

94^thpercentile

Typical film, the median of 16

Midcredits score across 17 titles, by percentile

75^th and up3
50^th to 74^th8
25^th to 49^th4
Below 25^th2

Shape of the crowd

8 of their 17 titles are Crowd Pleasers.

Universally Loved1
Universally Panned1
Cult Classic1
Crowd Pleaser8
Mixed6

Most divisive · producer

Beaches (2017)

88^th percentile spread · 37% rated it 4 or lower

Most loved · producer

You're Not You (2014)

Midcredits 87^th · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alison Greenspan's work okay for kids?

Across up to 13 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles

Violence & Gore9 titles8–60 · median 41 · moderatenear the median of all films

Sex & Nudity13 titles21–50 · median 28 · mildnear the median of all films

Profanity10 titles18–46 · median 31 · mildnear the median of all films

Alcohol & Drugs10 titles10–38 · median 27 · mildnear the median of all films

Frightening / Intense9 titles14–43 · median 32 · mildnear the median of all films

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.