- Editor, also producer and writer
- 11 on MovieCove · 20 credits in all
Known for
What are Leah Marino's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Society and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
A split, not a type: Light 2 · Serious 2 · Dark 4
Grounded 8 · Stylized 0 · Heightened 0
A split, not a type: Gentle 3 · Charged 2 · Intense 3
Steady 6 · Shifting 2 · Whiplash 0
Straight-faced 7 · Some laughs 1 · Funny 0
Slow burn 7 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 5 · Full focus 1
Easy watch 2 · Affecting 3 · Heavy 3
Resolved 7 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet4
- Tragic1
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Leah Marino's films?
As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Leah Marino's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 11 with a MovieCove page.
Midcredits score: 92nd percentile of all films
Still Pushing Pineapples (not in the MovieCove catalog yet)(2025)
Catching Lightning(2023)
Midcredits score: 71st percentile of all shows
A Bunch of Amateurs (not in the MovieCove catalog yet)(2022)
Alumination(2021)
Midcredits score: 18th percentile of all films (provisional, few ratings)
A Thousand Cuts(2020)
Midcredits score: 85th percentile of all films
The First Rainbow Coalition (not in the MovieCove catalog yet)(2019)
Support the Girls(2018)
Midcredits score: 62nd percentile of all films
Midcredits score: 69th percentile of all shows
Motherland(2017)
Midcredits score: 75th percentile of all films
Midcredits score: 83rd percentile of all films
7 Chinese Brothers(2015)
Midcredits score: 29th percentile of all films
Above All Else(2014)
Midcredits score: 94th percentile of all films (provisional, few ratings)
Midcredits score: 96th percentile of all films
Don’t Stop Believin’: Everyman’s Journey (not in the MovieCove catalog yet)(2013)
DFW Punk (not in the MovieCove catalog yet)(2008)
The Creek Runs Red (not in the MovieCove catalog yet)(2007)
Dirt: A Season Inside the Devil's Bowl (not in the MovieCove catalog yet)(2005)
Imelda (not in the MovieCove catalog yet)(2003)
Frontline (not in the MovieCove catalog yet)(1983)
Career shape
A full career of 17 titles from 1983 to 2026.
Biggest box office
7 Chinese Brothers (2015)
Highest rated
A Thousand Cuts (2020)
Most popular right now
The Radical Story of Patty Hearst (2018)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Leah Marino's films land?
Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 83rd percentile for acclaim.
- 75th and up6
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
6 of their 11 titles are Mixed.
- Universally Loved1
- Loved with Detractors2
- Crowd Pleaser2
- Mixed6
Reviewers score the pacing 58/100 in their films, across 4 reviewed titles; fans 63, detractors 15. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Leah Marino work with?
People who share at least 2 of Leah Marino's MovieCove titles, grouped by what they did on them; Pat Kondelis shares the most, 2.
Directors
- Pat KondelisShared titles: Catching Lightning (2023), The Radical Story of Patty Hearst (2018)See all 2 shared titles with Pat Kondelis
- Ramona S. DiazShared titles: A Thousand Cuts (2020), Motherland (2017)See all 2 shared titles with Ramona S. Diaz
Composers and editors
- Sean McQueeneyShared titles: Catching Lightning (2023), The Radical Story of Patty Hearst (2018)See all 2 shared titles with Sean McQueeney
- Sam LipmanShared titles: A Thousand Cuts (2020), Southwest of Salem: The Story of the San Antonio Four (2016)See all 2 shared titles with Sam Lipman
Producers
- Jody WingroveShared titles: Catching Lightning (2023), The Radical Story of Patty Hearst (2018)See all 2 shared titles with Jody Wingrove
- Lauren BarkerShared titles: Catching Lightning (2023), The Radical Story of Patty Hearst (2018)See all 2 shared titles with Lauren Barker
- Susanne MasonShared titles: Catching Lightning (2023), The Radical Story of Patty Hearst (2018)See all 2 shared titles with Susanne Mason
- Christopher ClementsShared titles: A Thousand Cuts (2020), Southwest of Salem: The Story of the San Antonio Four (2016)See all 2 shared titles with Christopher Clements
Mixed roles
- Liz PerlmanShared titles: Southwest of Salem: The Story of the San Antonio Four (2016), Above All Else (2014)See all 2 shared titles with Liz Perlman