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Mattias Troelstrup

Mattias Troelstrup

Cinematographer

Mattias Troelstrup, DFF studied still photography from an early age. He has worked as a freelance cinematographer for all the major production companies in Copenhagen. When he came to the American Film Institute in 2008, he was already one of Danish National Television's leading documentary cinematographers, and had included in his application a fictional short film entitled SEE YOU, which would later be shortlisted for an Academy Award. During Mattias' time at AFI he shadowed DP Michael Goi, ASC and Lance Acord, ASC during their work on feature films and commercials, respectively. Upon graduating from AFI, Mattias received his first Plus Camerimage nomination in 2010 for his work on AFI short film, CLEAR BLUE, under Student Competition. That same year, Daily Variety cited him as a Cinematographer to watch. His film ELECTRICK CHILDREN, a beautifully shot coming of age drama directed by Variety's top ten directors to watch, Rebecca Thomas, earned Mattias his second Plus Camerimage nomination for Best Cinematography in 2012. The film was also successfully received at 2012 SXWS Film Festival. Mattias shot Jared Hess's 2015 Sundance film, DON VERDEAN and Eva Husson's BANG GANG which premiered at TIFF also in 2015. His most recent feature is THE FOREST directed by Jason Zada for which he has been favorably reviewed across the board for his stunning cinematography. Mattias is currently working on numerous international commercials and music videos for companies such as Pulse Films, Biscuit Filmworks, Stink and Community Films.

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Biography from IMDb.

Works as
Cinematographer
Titles
11 on MovieCove · 13 credits in all
TMDB popularity, last 156 days to Oct 27Up 6% in 30 days

What are Mattias Troelstrup's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 1

Grounded 4 · Stylized 2 · Heightened 0

Gentle 2 · Charged 2 · Intense 2

Steady 2 · Shifting 4 · Whiplash 0

A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 3

Slow burn 1 · Even-paced 5 · Relentless 0

Casual 3 · Engaged 3 · Full focus 0

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
3
Melancholic
3
Absurd
2
Hopeful
2
Other
5

How their films end · 4 with a twist

  • Happy2
  • Bittersweet2
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mattias Troelstrup's films?

As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Mattias Troelstrup's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 11 with a MovieCove page.

  • The Stolen Girl(2025)

    Show 5 episodes · Cinematographer

    Midcredits score: 21st percentile of all shows
  • Oxen (not in the MovieCove catalog yet)(2023)

    Show 6 episodes · Camera Operator

  • The Shift(2022)

    Show 8 episodes · Cinematographer

    Midcredits score: 76th percentile of all shows
  • Food Club(2020)

    Camera Operator · Cinematographer

    Midcredits score: 36th percentile of all films
  • Equinox(2020)

    Show Cinematographer

    Midcredits score: 18th percentile of all shows
  • Girls of the Sun(2018)

    Cinematographer

    Midcredits score: 72nd percentile of all films
  • The Forest(2016)

    Cinematographer

    Midcredits score: 7th percentile of all films
  • Don Verdean(2015)

    Cinematographer

    Midcredits score: 20th percentile of all films
  • Bang Gang: A Modern Love Story(2015)

    Cinematographer

    Midcredits score: 23rd percentile of all films
  • 3, 2, 1... Frankie Go Boom(2012)

    Cinematographer

    Midcredits score: 37th percentile of all films
  • Electrick Children(2012)

    Cinematographer

    Midcredits score: 75th percentile of all films
  • The Evil Inside(2011)

    Camera Operator

    Midcredits score: 2nd percentile of all films
  • That's Life (not in the MovieCove catalog yet)(2011)

    Cinematographer

Career shape

A full career of 12 titles from 2011 to 2025.

By role

only this rolewith another role
Cinematography10 of 12: 9 only cinematography, 1 with another role · typical Midcredits score36thOther crew3 of 12: 2 only other crew, 1 with another role

By decade

2010s8 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mattias Troelstrup's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 6

Approval · how many liked their films

24thpercentile
Typical film, the median of 6

Reach · how many have seen their films

80thpercentile
Typical film, the median of 6

Midcredits score across 11 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th6

Reviewers score the cinematography 64/100 in their films, across 6 reviewed titles; fans 71, detractors 53. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mattias Troelstrup's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 33 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 44 · moderateMedian of all films: 32
Profanity4 titlesmedian 43 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 36 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 67 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Mattias Troelstrup work with?

People who share at least 2 of Mattias Troelstrup's MovieCove titles, grouped by what they did on them; Eva Husson shares the most, 3.

Directors

Composers and editors

Producers