Tony Gama-Lobo

What are Tony Gama-Lobo's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tony Gama-Lobo's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Paramount+ (3).

• Paramount+3 titles, browse their movies on this service
  • A Loud House Christmas Movie: Naughty or Nice (2025) · writer
  • Rise of the Teenage Mutant Ninja Turtles (2018) · writer
  • A Really Haunted Loud House (2023) · writer
• Netflix2 titles, browse their movies on this service
  • Rise of the Teenage Mutant Ninja Turtles: The Movie (2022) · writer
  • The Casagrandes Movie (2024) · writer
• Hulu1 title, browse their movies on this service
  • King of the Hill (1997) · writer

Subscription and free streaming for Tony Gama-Lobo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 7 with a MovieCove page.

• 

  A Loud House Christmas Movie: Naughty or Nice(2025)

  Screenplay

  Midcredits score: 59th percentile of all films59^th
• 

  The Casagrandes Movie(2024)

  Screenplay · Story

  Midcredits score: 41st percentile of all films41^st
• 

  A Really Haunted Loud House(2023)

  Writer

  Midcredits score: 37th percentile of all films37^th
• 

  Rise of the Teenage Mutant Ninja Turtles: The Movie(2022)

  Screenplay

  Midcredits score: 74th percentile of all films74^th
• 

  Santiago of the Seas(2020)

  Show Producer · Writer

  Midcredits score: 41st percentile of all shows41^st
• 

  Rise of the Teenage Mutant Ninja Turtles(2018)

  Show Writer

  Midcredits score: 44th percentile of all shows44^th
• 

  Freddie (not in the MovieCove catalog yet)(2005)

  Show 1 episode · Writer
• 

  King of the Hill(1997)

  Show 9 episodes · Writer

  Midcredits score: 76th percentile of all shows76^th

Career shape

A full career of 6 titles from 1997 to 2025.

Highest rated

Rise of the Teenage Mutant Ninja Turtles: The Movie (2022)

Midcredits 74^th

Most popular right now

Rise of the Teenage Mutant Ninja Turtles (2018)

Awards

3 major nominations and no wins, 2004–2008.

1. 2008
   • Primetime Emmy, nominated · Outstanding Animated Program (For Programming Less Than One Hour)
   • +1 other major body · 1 nomination

     • Writers Guild Award, nominated · Animation
2. 2004
   • Writers Guild Award, nominated · Animation

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Tony Gama-Lobo's films land?

Their typical MovieCove film has a Midcredits score in the 50^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 51^st percentile for acclaim.

Shape of the crowd

3 of their 7 titles are Divisive.

13111

• Loved with Detractors1
• Divisive3
• Cult Classic1
• Crowd Pleaser1
• Mixed1

Most divisive · writer, producer

Santiago of the Seas (2020)

96^th percentile spread · 31% rated it 4 or lower

Most loved · writer

King of the Hill (1997)

Midcredits 76^th · 79% liked

Reviewers score the plot and story 40/100 in their films, across 3 reviewed titles; fans 60, detractors 22. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tony Gama-Lobo work with?

People who share at least 2 of Tony Gama-Lobo's MovieCove titles, grouped by what they did on them; Rebecca May shares the most, 4.