K.R. Reddy

What are K.R. Reddy's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch K.R. Reddy's films?

As of October 24, 2026, all 3 Motif titles stream on a subscription or free service.

• ZEE51 title
  • Sheshnaag (1990) · director

Subscription and free streaming for K.R. Reddy's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks.

Filmography

3 credits, 3 with a Motif page.

• 

  Mohabbat Ki Aag(1997)

  Director

  Midcredits score: 6th percentile of all films (provisional, few ratings)~6^th
• 

  Sheshnaag(1990)

  Director

  Midcredits score: 6th percentile of all films6^th
• 

  Paap Ko Jalaa Kar Raakh Kar Doonga(1988)

  Director

  Midcredits score: 11th percentile of all films11^th

Career shape

Across a limited sample of 3 Motif titles from 1988 to 1997.

Most popular right now

Sheshnaag (1990)

How do K.R. Reddy's films land?

Their typical Motif film has a Midcredits score in the 6^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 7^th percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Mixed.

12

• Divisive1
• Mixed2

Most divisive · director

Mohabbat Ki Aag (1997)

90^th percentile spread · 68% rated it 4 or lower

Most loved · director

Paap Ko Jalaa Kar Raakh Kar Doonga (1988)

Midcredits 11^th · 27% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does K.R. Reddy work with?

People who share at least 2 of K.R. Reddy's Motif titles, grouped by what they did on them; Govinda shares the most, 2.