- Director and writer, also composer and producer
- 3 on MovieCove · 4 credits in all
What are Josh Bishop's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
Steady 3 · Shifting 0 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
A split, not a type: Casual 2 · Engaged 0 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Josh Bishop's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Josh Bishop's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Betrayal at Attica(2021)
Midcredits score: 88th percentile of all films
The Dwarvenaut(2016)
Midcredits score: 61st percentile of all films
Made in Japan(2015)
Midcredits score: 63rd percentile of all films (provisional, few ratings)
Man Under Wire (not in the MovieCove catalog yet)(2005)
Career shape
A full career of 3 titles from 2005 to 2016.
How do Josh Bishop's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
2 of their 3 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Josh Bishop work with?
People who share at least 2 of Josh Bishop's MovieCove titles, grouped by what they did on them; Victoria Lesiw shares the most, 2.
Editors
- Victoria LesiwShared titles: The Dwarvenaut (2016), Made in Japan (2015)See all 2 shared titles with Victoria Lesiw
Producers
- Jason DiamondShared titles: The Dwarvenaut (2016), Made in Japan (2015)See all 2 shared titles with Jason Diamond
- Josh DiamondShared titles: The Dwarvenaut (2016), Made in Japan (2015)See all 2 shared titles with Josh Diamond
