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Andrea Chung

Andrea Chung

Producer · New York, New York

Andrea Chung is a Korean-American producer, co-founder of Bowery Hills Entertainment, Al-Ghanim Entertainment, and talent management company Lavin Entertainment. Chung is also a film executive for the movie adaptation of the multi-billion dollar game franchise "Crossfire" for Korean giant Smilegate. Her notable credits include Benson Lee's "Seoul Searching," Duane Adler's "Heartbeats" and Victor Garcia's "The Damned." "Seoul Searching" was a New York Times Critics Pick in Summer 2016, won the Youth Jury Award at SIFF and was in the "Premieres" category at the Sundance Film Festival. Her films "The Girl in the Photographs" which she produced with Wes Craven and "Passion Play" had world premieres at TIFF. Chung began her track as a producer as an intern for Lynda Obst, then at Paramount Studios, after reading her book "Hello, He Lied" in her class at NYU. Chung also creates and directs docu-pilots for studios including "Fabulously Richie" which starred fashion designer Richie Rich, Pamela Anderson, Lydia Hearst and Aubrey O'Day and "The Onch Project" for Lionsgate Television. The first pilot she ever directed was based on a co-worker while an assistant at ICM called "The Last Mousketeer" which E! bought and produced into a 1-hour special for "Child Star Confidential."

Read more

Biography from TMDB.

From
New York, New York
Works as
Producer
Titles
12 on MovieCove · 13 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Up 7% in 30 days

What are Andrea Chung's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Comedy4 titlesTypical Midcredits score: 38th percentile, at or above their average across these genres
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 28th percentile
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 29th percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
43%
Morality
18%
Bonds
17%
Survival
11%
Society
5%
Ideas
4%
Power
2%
Purpose4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeGuilt2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 1 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 6 · Stylized 5 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 6 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 5 · Whiplash 3

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 3 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 7 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 3 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 1 · Heavy 6

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 7 · Open-ended 2 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
5
Hopeful
4
Absurd
3
Joyful
3
Other
13

How their films linger

Thought-provoking6 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet8
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrea Chung's films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Andrea Chung's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 12 with a MovieCove page.

  • Oh, Canada(2024)

    Executive Producer

    Midcredits score: 28th percentile of all films

  • Snow Valley(2024)

    Executive Producer

    Midcredits score: 3rd percentile of all films

  • Women Is Losers(2021)

    Producer

    Midcredits score: 45th percentile of all films

  • The Card Counter(2021)

    Producer

    Midcredits score: 51st percentile of all films

  • The Comeback Trail(2020)

    Executive Producer

    Midcredits score: 31st percentile of all films

  • Tyger Tyger(2019)

    Producer

    Midcredits score: 48th percentile of all films

  • Heartbeats(2017)

    Producer

    Midcredits score: 45th percentile of all films

  • Crossing Bhutan(2016)

    Producer

    Midcredits score: 82nd percentile of all films (provisional, few ratings)

  • The Girl in the Photographs(2015)

    Producer

    Midcredits score: 6th percentile of all films

  • Seoul Searching(2015)

    Casting · Producer

    Midcredits score: 78th percentile of all films

  • The Damned(2013)

    Producer

    Midcredits score: 15th percentile of all films

  • Passion Play(2010)

    Co-Producer

    Midcredits score: 25th percentile of all films

  • The Kiss (not in the MovieCove catalog yet)(2008)

    as Violet

Career shape

A full career of 11 titles from 2008 to 2024.

Biggest box office

The Card Counter (2021)

$5M worldwide

Highest rated

Seoul Searching (2015)

Midcredits 78th

Most popular right now

The Card Counter (2021)

By role

only this rolewith another role
Acting1 of 11: 1 only acting, 0 with another roleProducing10 of 11: 9 only producing, 1 with another role · typical Midcredits score30thOther crew1 of 11: 0 only other crew, 1 with another role

By decade

2000s1 · acting2010s6 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andrea Chung's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 12

Approval · how many liked their films

42ndpercentile
Typical film, the median of 12

Reach · how many have seen their films

74thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

4 of their 12 titles are Mixed.

  • Loved with Detractors1
  • Divisive1
  • Cult Classic3
  • Crowd Pleaser1
  • Broadly Agreed2
  • Mixed4

Most divisive · producer

Crossing Bhutan (2016)

99th percentile spread · 28% rated it 4 or lower

Most loved · producer

Seoul Searching (2015)

Midcredits 78th · 72% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andrea Chung's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 54 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Andrea Chung work with?

People who share at least 2 of Andrea Chung's MovieCove titles, grouped by what they did on them; Joel Michaely shares the most, 3.

Directors

Actors

Composers and editors

Producers