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MovieCove
Works as
Cinematographer
Titles
13 on MovieCove

What are Amit Roy's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 3 · Dark 8

Grounded 5 · Stylized 6 · Heightened 1

Gentle 0 · Charged 2 · Intense 10

Steady 1 · Shifting 10 · Whiplash 1

Straight-faced 12 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 9 · Relentless 2

Casual 1 · Engaged 6 · Full focus 5

A split, not a type: Resolved 6 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Thrilling
6
Melancholic
6
Dread
4
Hopeful
2
Other
4

How their films end · 5 with a twist

  • Happy2
  • Bittersweet3
  • Tragic3
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amit Roy's films?

As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service, most on Netflix (6).

Subscription and free streaming for Amit Roy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • Gandhari(2026)

    Cinematographer

    Midcredits score: 61st percentile of all films
  • Midcredits score: 12th percentile of all films
  • Deva(2025)

    Cinematographer

    Midcredits score: 74th percentile of all films
  • Animal(2023)

    Cinematographer

    Midcredits score: 55th percentile of all films
  • Dhokha(2022)

    Cinematographer

    Midcredits score: 59th percentile of all films
  • Love Aaj Kal(2020)

    Cinematographer

    Midcredits score: 28th percentile of all films
  • She(2020)

    Show Cinematographer

    Midcredits score: 23rd percentile of all shows
  • Dum Maaro Dum(2011)

    Cinematographer

    Midcredits score: 51st percentile of all films
  • Rann(2010)

    Cinematographer

    Midcredits score: 76th percentile of all films
  • Sarkar Raj(2008)

    Cinematographer

    Midcredits score: 70th percentile of all films
  • Nishabd(2007)

    Cinematographer

    Midcredits score: 30th percentile of all films
  • Sarkar(2005)

    Cinematographer

    Midcredits score: 91st percentile of all films
  • Fida(2004)

    Cinematographer

    Midcredits score: 26th percentile of all films

Career shape

Across their 13 MovieCove titles from 2004 to 2026.

By role

only this rolewith another role
Cinematography13 of 13: 13 only cinematography, 0 with another role · typical Midcredits score55th

By decade

2000s4 · crew2010s2 · crew2020s7 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Amit Roy's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 12

Approval · how many liked their films

71stpercentile
Typical film, the median of 12

Reach · how many have seen their films

70thpercentile
Typical film, the median of 12

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th6
  • 25th to 49th3
  • Below 25th2

Reviewers score the cinematography 63/100 in their films, across 11 reviewed titles; fans 70, detractors 50. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Amit Roy's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 55 · moderateMedian of all films: 44
Sex & Nudity5 titles32–65 · median 54 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 65 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 65 · intenseMedian of all films: 33
Frightening / Intense3 titlesmedian 67 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Amit Roy work with?

People who share at least 2 of Amit Roy's MovieCove titles, grouped by what they did on them; Amar Mohile shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers