Rachel Libert

What are Rachel Libert's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rachel Libert's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service, most on Netflix (5).

• Netflix5 titles, browse their movies on this service
  • The Program: Cons, Cults, and Kidnapping (2024) · producer
  • My Own Man (2014) · producer
  • Pop Star Academy: KATSEYE (2024) · producer
  • Working: What We Do All Day (2023) · producer
  • Bad Influence: The Dark Side of Kidfluencing (2025) · producer
• Paramount+2 titles, browse their movies on this service
  • The 12th Victim (2023) · producer
  • Boys in Blue (2023) · producer
• Disney+1 title, browse their movies on this service
  • MARS: Inside SpaceX (2018) · producer
• HBO Max1 title, browse their movies on this service
  • This Is Life with Lisa Ling (2014) · director, producer

Subscription and free streaming for Rachel Libert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  Bad Influence: The Dark Side of Kidfluencing(2025)

  Show 3 episodes · Co-Executive Producer

  Midcredits score: 22nd percentile of all shows22^nd
• 

  Pop Star Academy: KATSEYE(2024)

  Show 8 episodes · Executive Producer

  Midcredits score: 41st percentile of all shows41^st
• 

  The Program: Cons, Cults, and Kidnapping(2024)

  Show 3 episodes · Executive Producer

  Midcredits score: 72nd percentile of all shows72^nd
• 

  The 12th Victim(2023)

  Show 4 episodes · Executive Producer

  Midcredits score: 25th percentile of all shows25^th
• 

  Boys in Blue(2023)

  Show Producer

  Midcredits score: 25th percentile of all shows25^th
• 

  Working: What We Do All Day(2023)

  Show Producer

  Midcredits score: 34th percentile of all shows34^th
• 

  MARS: Inside SpaceX(2018)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  My Own Man(2014)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  This Is Life with Lisa Ling(2014)

  Show Director · Producer

  Midcredits score: 78th percentile of all shows78^th
• 

  Semper Fi: Always Faithful(2011)

  Director · Producer

  Midcredits score: 92nd percentile of all films92^nd

Career shape

A full career of 5 titles from 2011 to 2025.

Highest rated

MARS: Inside SpaceX (2018)

Midcredits 89^th

Most popular right now

This Is Life with Lisa Ling (2014)

How do Rachel Libert's films land?

Their typical MovieCove film has a Midcredits score in the 89^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 89^th percentile for acclaim.

Shape of the crowd

4 of their 10 titles are Crowd Pleasers.

44

• Divisive1
• Crowd Pleaser4
• Broadly Agreed1
• Mixed4

Most divisive · producer

Boys in Blue (2023)

92^nd percentile spread · 31% rated it 4 or lower

Most loved · director, producer

Semper Fi: Always Faithful (2011)

Midcredits 92^nd · 81% liked

Reviewers score the atmosphere 55/100 in their films, across 3 reviewed titles; fans 62, detractors 20. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rachel Libert work with?

People who share at least 2 of Rachel Libert's MovieCove titles, grouped by what they did on them; Peter Holmes shares the most, 3.