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MovieCove
Works as
Director, producer, writer and cinematographer
Titles
4 on MovieCove · 7 credits in all

What are Dan Sturman's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.

Themes

share of theme weight
Morality
31%
Ideas
20%
Self
13%
Society
13%
Power
9%
Bonds
7%
Survival
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 1 · Heightened 0

A split, not a type: Gentle 2 · Charged 1 · Intense 1

A split, not a type: Steady 3 · Shifting 0 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 0 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Hopeful
2
Joyful
1
Dread
1
Elegiac
1
Contemplative
1
Other
5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dan Sturman's films?

As of October 24, 2026, none of Dan Sturman's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Dan Sturman's titles on MovieCove; rent and buy are not counted.

Filmography

7 credits, 4 with a MovieCove page.

  • The Stamp Thief (not in the MovieCove catalog yet)(2025)

    Director · Producer

  • Four Winters: A Story of Jewish Partisan Resistance and Bravery in WWII (not in the MovieCove catalog yet)(2022)

    Producer

  • The Hollywood Complex(2011)

    Director · Cinematographer · Producer

    Midcredits score: 71st percentile of all films
  • Soundtrack for a Revolution(2009)

    Director · Producer · Writer

    Midcredits score: 88th percentile of all films
  • Nanking(2007)

    Director · Screenplay · Story

    Midcredits score: 92nd percentile of all films
  • Twin Towers (not in the MovieCove catalog yet)(2003)

    Producer

  • Midcredits score: 77th percentile of all films

Career shape

A full career of 6 titles from 2003 to 2025.

By role

only this rolewith another role
Directing4 of 6: 0 only directing, 4 with another roleWriting2 of 6: 0 only writing, 2 with another roleProducing4 of 6: 2 only producing, 2 with another roleCinematography1 of 6: 0 only cinematography, 1 with another role

6 titles, 4 with more than one role — directing and producing overlap on 2 of them.

By decade

2000s3 · crew2010s1 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Dan Sturman's films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 80th percentile for acclaim.

Acclaim · how much people like their films

80thpercentile
Typical film, the median of 4

Approval · how many liked their films

83rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

44thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 50th to 74th1

Reviewers score the atmosphere 72/100 and the pacing 53/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dan Sturman work with?

People who share at least 2 of Dan Sturman's MovieCove titles, grouped by what they did on them; Phil Marshall shares the most, 3.

Directors

Composers and cinematographers

Producers