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Zach Clark

Zach Clark

Editor, writer, director and producer, also actor · Born February 12, 1982 (44) · Virginia, USA

Zach Clark was born on 19 February 1982 in Virginia, USA. He is an editor and writer, known for Little Sister (2016), White Reindeer (2013) and Modern Love Is Automatic (2009).

Biography from IMDb.

Born
February 12, 1982 (44)
From
Virginia, USA
Works as
Editor, writer, director and producer, also actor
Titles
24 on MovieCove · 33 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Up 7% in 30 days

What are Zach Clark's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy11 titlesTypical Midcredits score: 35th percentile, at or above their average across these genres
: browse their Comedy movies
Horror5 titlesTypical Midcredits score: 16th percentile
: browse their Horror movies
Drama3 titlesTypical Midcredits score: 34th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
38%
Bonds
20%
Survival
17%
Morality
13%
Ideas
6%
Power
4%
Society
3%
Identity9 titles, browse their movies with this themeFriendship4 titles, browse their movies with this themeDeception4 titles, browse their movies with this themePurpose4 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeObsession2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 9 · Serious 4 · Dark 6

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 13 · Stylized 6 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 10 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 11 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 9 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 14 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 9 · Engaged 8 · Full focus 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 6 · Open-ended 6 · Ambiguous 7

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Melancholic
9
Contemplative
8
Absurd
7
Dread
5
Other
10

How their films linger

Unsettling10 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteWistful5 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Bittersweet10
  • Ambiguous9

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Zach Clark's films?

As of October 24, 2026, 17 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Also on these channels

Subscription and free streaming for Zach Clark's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 24 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Act One(2026)

    Editor

    Midcredits score: 54th percentile of all films (provisional, few ratings)

  • Blue Film(2025)

    Editor

    Midcredits score: 75th percentile of all films

  • The Arrow at Rest at Every Instant of its Flight(2026)

    Editor

    Midcredits score: 66th percentile of all films (provisional, few ratings)

  • The Becomers (not in the MovieCove catalog yet)(2024)

    Director · Writer

  • The A-Frame(2024)

    Editor

    Midcredits score: 16th percentile of all films

  • Our Son(2023)

    Editor

    Midcredits score: 31st percentile of all films

  • Ghostwritten(2021)

    Additional Editing

    Midcredits score: 19th percentile of all films (provisional, few ratings)

  • A Wounded Fawn(2022)

    Editor

    Midcredits score: 27th percentile of all films

  • Puss (not in the MovieCove catalog yet)(2021)

    Editor

  • Minor Premise(2020)

    Additional Editing

    Midcredits score: 59th percentile of all films

  • I Used to Go Here(2020)

    Editor

    Midcredits score: 26th percentile of all films

  • Jobe'z World(2018)

    Editor

    Midcredits score: 36th percentile of all films

  • Malevolent(2018)

    Editor

    Midcredits score: 8th percentile of all films

  • The Long Dumb Road(2018)

    Editor

    Midcredits score: 43rd percentile of all films

  • Don't Leave Home(2018)

    Editor

    Midcredits score: 17th percentile of all films

  • Izzy Gets the Fuck Across Town(2017)

    Editor

    Midcredits score: 35th percentile of all films

  • Person to Person(2017)

    Additional Editing

    Midcredits score: 33rd percentile of all films

  • Always Shine(2016)

    Editor

    Midcredits score: 34th percentile of all films

  • Little Sister(2016)

    Director · Editor · Producer · Story · Writer

    Midcredits score: 57th percentile of all films

  • A Feast of Man(2017)

    Editor

    Midcredits score: 25th percentile of all films (provisional, few ratings)

  • Unexpected(2015)

    Editor

    Midcredits score: 35th percentile of all films

  • Be with Me (The Notebook) (not in the MovieCove catalog yet)(2014)

    Director · Screenplay

  • Practical Uses For Major Works Of Modern Cinema (not in the MovieCove catalog yet)(2014)

    Director · Producer · Writer

  • Summer of Blood(2014)

    as Victim 3

    Midcredits score: 30th percentile of all films

  • White Reindeer(2013)

    Director · Editor · Producer · Writer

    Midcredits score: 33rd percentile of all films

  • Tiny Furniture(2010)

    as Gallery-Goer

    Midcredits score: 50th percentile of all films

  • Vacation!(2010)

    Director · Editor · Producer · Writer

    Midcredits score: 22nd percentile of all films

  • Modern Love Is Automatic (not in the MovieCove catalog yet)(2009)

    Director · Writer

  • Dance Party, USA (not in the MovieCove catalog yet)(2006)

    Editor

  • Holla(2006)

    Editor

    Midcredits score: 10th percentile of all films

  • Rock & Roll Eulogy (not in the MovieCove catalog yet)(2004)

    Director · Editor · Producer · Writer

  • Elliot Flies (not in the MovieCove catalog yet)(2003)

    Story

  • Stay at Conder Beach (not in the MovieCove catalog yet)

    Editor

Career shape

A full career of 30 titles, 29 of them dated from 2003 to 2026.

Biggest box office

Unexpected (2015)

$36K worldwide

Highest rated

Little Sister (2016)

Midcredits 57th

Most popular right now

Our Son (2023)

Film career

By role

only this rolewith another role
Acting1 of 30: 1 only acting, 0 with another roleDirecting8 of 30: 0 only directing, 8 with another roleWriting9 of 30: 1 only writing, 8 with another roleProducing5 of 30: 0 only producing, 5 with another roleEditing20 of 30: 17 only editing, 3 with another role · typical Midcredits score34thOther crew3 of 30: 3 only other crew, 0 with another role

30 titles, 8 with more than one role — editing and writing overlap on 3 of them.

By decade

2000s4 · crew2010s15 · 1 acting · 14 crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Zach Clark's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 24; across their 19 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 19

Approval · how many liked their films

27thpercentile
Typical film, the median of 19

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 19

Midcredits score across 24 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th12
  • Below 25th6

Shape of the crowd

14 of their 24 titles are Mixed.

  • Divisive5
  • Crowd Pleaser1
  • Broadly Agreed4
  • Mixed14

Most divisive · editor

Act One (2026)

98th percentile spread · 33% rated it 4 or lower

Most loved · editor

Blue Film (2025)

Midcredits 75th · 63% liked

Reviewers score the pacing 40/100 in their films, across 14 reviewed titles; fans 52, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Zach Clark's work okay for kids?

Across up to 7 MovieCove titles with content scores, 1 of the 2 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity7 titles16–47 · median 26 · mildnear the median of all filmsMedian of all films: 32
Profanity3 titlesmedian 61 · intenseMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Zach Clark work with?

People who share at least 2 of Zach Clark's MovieCove titles, grouped by what they did on them; Melodie Sisk shares the most, 4.

Directors

Actors

Composers and cinematographers

Producers