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John Roome

John Roome

Composer

John Roome (aka Witchman) is a British Composer/Producer. As well as film, John also works heavily in creating score and sound design for film trailer campaigns such as the smash hit movies Death Race, Live Free - Die Hard, We Own the Night, Secuestro Express, 28 Weeks Later, Rambo 4, Miami Vice, Priest, Transporter 3, Crank 2, Transformers 2, Inglorious Basterds, The Mechanic, Repo Men, The Last Airbender, A-Team, Assassins Creed, Hall Pass, 12 Rounds, The Hunger Games, Friday the 13th (Reboot) Ninja Assassin, Iron Man 2, Drive, Snitch, Thor and Spiderman: Homecoming. As Witchman he has released 2 critically acclaimed albums "Explorimenting Beats" and "Heavy Traffic" (Deviant Records) and produced the likes of Finitribe (Infectious Records). Co-written a remix album with Jammin Unit (of pioneering electronic German artists Air Liquide)as well as beat-heavy side projects such as the Unknown Ghosts. Add to this his programming and production work on Ian Astbury's (The Cult) solo album 'Spirit, Light, Speed', The Jungle Brothers, The Orb and Danish noisemakers Livstrompet. He also contributed beats to David Toop's album 'Spirit World' (Virgin Records). On the remix front he has reworked tracks by Clawfinger, The Creatures, Pink Floyd, Black Sabbath, lan Astbury, Fields of the Nephilim, Gary Numan, Curve, Cornershop, J-lo and Nikka Costa etc, with compilation inclusions running well into double figures. He was also producer and member with the innovative UK chart topping electronic act The Orb.

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Biography from IMDb.

Works as
Composer
Titles
12 on MovieCove · 18 credits in all
TMDB popularity, last 155 days to Oct 26Down 14% in 30 days

What are John Roome's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 4 · Dark 6

Grounded 9 · Stylized 2 · Heightened 1

Gentle 0 · Charged 5 · Intense 7

Steady 3 · Shifting 8 · Whiplash 1

Straight-faced 10 · Some laughs 1 · Funny 1

Slow burn 4 · Even-paced 5 · Relentless 3

Casual 7 · Engaged 5 · Full focus 0

A split, not a type: Easy watch 5 · Affecting 4 · Heavy 3

Resolved 9 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Thrilling
8
Dread
6
Melancholic
3
Absurd
2
Other
1

How their films end · 1 with a twist

  • Happy2
  • Bittersweet6
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Roome's films?

As of October 24, 2026, all 12 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for John Roome's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 12 with a MovieCove page.

  • Man of War(2026)

    Composer

    Midcredits score: 36th percentile of all films
  • Osiris(2025)

    Composer

    Midcredits score: 15th percentile of all films
  • The Channel(2023)

    Composer

    Midcredits score: 38th percentile of all films
  • Winnie the Pooh: Master of Puppets (not in the MovieCove catalog yet)(2023)

    Composer

  • Shrapnel(2023)

    Composer

    Midcredits score: 19th percentile of all films
  • Section 8(2022)

    Composer

    Midcredits score: 11th percentile of all films
  • Black Box (not in the MovieCove catalog yet)(2021)

    Composer

  • The Brave(2019)

    Composer

    Midcredits score: 35th percentile of all films
  • Midcredits score: 54th percentile of all films
  • Cute Little Buggers(2017)

    Composer

    Midcredits score: 3rd percentile of all films
  • Dawning of the Dead(2017)

    Composer

    Midcredits score: 3rd percentile of all films
  • Sad Vacation(2016)

    Composer

    Midcredits score: 63rd percentile of all films
  • Crying Wolf 3D(2015)

    Composer

    Midcredits score: 1st percentile of all films
  • Dead Sea (not in the MovieCove catalog yet)(2014)

    Composer

  • One in the Chamber(2012)

    Composer

    Midcredits score: 20th percentile of all films
  • Song of Songs (not in the MovieCove catalog yet)(2005)

    Composer

  • Dead End Road (not in the MovieCove catalog yet)(2004)

    Composer

  • Messengers (not in the MovieCove catalog yet)(2004)

    Composer

Career shape

A full career of 13 titles from 2004 to 2026.

By role

only this rolewith another role
Music13 of 13: 13 only music, 0 with another role · typical Midcredits score20th

By decade

2000s3 · crew2010s4 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Roome's films land?

Their typical MovieCove film has a Midcredits score in the 20th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 12

Approval · how many liked their films

16thpercentile
Typical film, the median of 12

Reach · how many have seen their films

69thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 50th to 74th2
  • 25th to 49th3
  • Below 25th7

Shape of the crowd

7 of their 12 titles are Mixed.

  • Universally Panned1
  • Cult Classic2
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed7

Reviewers score the sound and music 41/100 in their films, across 11 reviewed titles; fans 58, detractors 24. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Roome's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 42 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does John Roome work with?

People who share at least 2 of John Roome's MovieCove titles, grouped by what they did on them; William Kaufman shares the most, 6.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles