Michael Bloom

What are Michael Bloom's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Bloom's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

• Prime Video3 titles, browse their movies on this service
  • Gary Gulman: Boyish Man (2005) · director, producer
  • Kims of Comedy (2005) · producer
  • Alonzo Bodden: Tall, Dark, and Funny (2005) · producer, editor
• Tubi3 titles, browse their movies on this service
  • Gary Gulman: Boyish Man (2005) · director, producer · free
  • Kims of Comedy (2005) · producer · free
  • Alonzo Bodden: Tall, Dark, and Funny (2005) · producer, editor · free
• HBO Max1 title, browse their movies on this service
  • Tourgasm (2006) · producer

Subscription and free streaming for Michael Bloom's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Shaq Life(2020)

  Show Producer

  Midcredits score: 40th percentile of all shows40^th
• 

  Tourgasm(2006)

  Show Producer

  Midcredits score: 4th percentile of all shows4^th
• 

  Alonzo Bodden: Tall, Dark, and Funny(2005)

  Editor · Producer

  Midcredits score: 48th percentile of all films (provisional, few ratings)~48^th
• 

  Gary Gulman: Boyish Man(2005)

  Director · Producer

  Midcredits score: 71st percentile of all films71^st
• 

  Kims of Comedy(2005)

  Producer

  Midcredits score: 64th percentile of all films (provisional, few ratings)~64^th
• 

  This Is Elvis(1981)

  Producer

  Midcredits score: 92nd percentile of all films92^nd

Career shape

Across their 6 MovieCove titles from 1981 to 2020.

Biggest box office

This Is Elvis (1981)

$2M worldwide

Highest rated

This Is Elvis (1981)

Midcredits 92^nd

Most popular right now

Shaq Life (2020)

How do Michael Bloom's films land?

Their typical MovieCove film has a Midcredits score in the 68^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

2 of their 6 titles are Cult Classics.

1212

• Universally Loved1
• Cult Classic2
• Crowd Pleaser1
• Mixed2

Most divisive · producer

Tourgasm (2006)

89^th percentile spread · 43% rated it 4 or lower

Most loved · producer

This Is Elvis (1981)

Midcredits 92^nd · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michael Bloom work with?

People who share at least 2 of Michael Bloom's MovieCove titles, grouped by what they did on them; Barry Katz shares the most, 4.