Roger Lindley
- Producer, cinematographer, director and editor
- 5 on MovieCove
What are Roger Lindley's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 0 · Serious 3 · Dark 2
Grounded 5 · Stylized 0 · Heightened 0
Gentle 1 · Charged 3 · Intense 1
Steady 3 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 2 · Relentless 0
A split, not a type: Casual 3 · Engaged 1 · Full focus 1
Easy watch 0 · Affecting 3 · Heavy 2
Resolved 3 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roger Lindley's films?
As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Roger Lindley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Faith of Angels(2024)
Midcredits score: 73rd percentile of all films
Good Grief(2024)
Midcredits score: 67th percentile of all films (provisional, few ratings)
Midcredits score: 92nd percentile of all films
Revenge in Kind(2017)
Midcredits score: 27th percentile of all films (provisional, few ratings)
Meant to Be(2012)
Midcredits score: 45th percentile of all films
Career shape
Across their 5 MovieCove titles from 2012 to 2024.
How do Roger Lindley's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
3 of their 5 titles are Mixed.
- Divisive1
- Cult Classic1
- Mixed3
Reviewers score the cinematography 47/100 in their films, across 4 reviewed titles; fans 54, detractors 35. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roger Lindley work with?
People who share at least 2 of Roger Lindley's MovieCove titles; Kirk Roos shares the most, 3.
- Kirk RoosShared titles: Faith of Angels (2024), Good Grief (2024), Jimmie and Stevie Ray Vaughan: Brothers in Blues (2023)See all 3 shared titles with Kirk Roos
