- Director, also writer
- 3 on MovieCove · 17 credits in all
What are Philippe Béziat's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Society.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Philippe Béziat's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Philippe Béziat's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 3 with a MovieCove page.

Nous l'orchestre(2026)
Midcredits score: 85th percentile of all films
Lea Desandre Sings Vivaldi @ Salzburger Festspiele 2026 (not in the MovieCove catalog yet)(2026)

Philharmonie de Paris: Antigone (not in the MovieCove catalog yet)(2025)

Six personnages en quête d'auteur (not in the MovieCove catalog yet)(2025)

Mahler: Résurrection - Festival d’Aix-en-Provence (not in the MovieCove catalog yet)(2022)

Gallant Indies(2020)
Midcredits score: 72nd percentile of all films
Tosca by Giacomo Puccini (not in the MovieCove catalog yet)(2019)

20 000 lieues sous les mers (Comédie Française) (not in the MovieCove catalog yet)(2018)

Becoming Traviata(2012)
Midcredits score: 68th percentile of all films
Antoine’s four Seasons (not in the MovieCove catalog yet)(2012)

Noces (not in the MovieCove catalog yet)(2012)

Pelléas et Mélisande, le chant des aveugles (not in the MovieCove catalog yet)(2009)

Les Contes D'Hoffmann (not in the MovieCove catalog yet)(2008)

La pietra del paragone (not in the MovieCove catalog yet)(2007)

Infrarouge (not in the MovieCove catalog yet)(2006)

The King of the Misty Forest (not in the MovieCove catalog yet)(2003)
Malan Malé - The Voice of Independence (not in the MovieCove catalog yet)
Career shape
A full career of 17 titles, 16 of them dated from 2003 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Philippe Béziat's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
None of their 3 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Philippe Béziat work with?
People who share at least 2 of Philippe Béziat's MovieCove titles, grouped by what they did on them; Philippe Martin shares the most, 3.
Cinematographers and editors
- Henry-Pierre RosamondShared titles: Nous l'orchestre (2026), Gallant Indies (2020)See all 2 shared titles with Henry-Pierre Rosamond
- Raphaël O'ByrneShared titles: Nous l'orchestre (2026), Becoming Traviata (2012)See all 2 shared titles with Raphaël O'Byrne
Producers
- Philippe MartinShared titles: Nous l'orchestre (2026), Gallant Indies (2020), Becoming Traviata (2012)See all 3 shared titles with Philippe Martin

