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Philippe Béziat

Philippe Béziat

Director, also writer

Works as
Director, also writer
Titles
3 on MovieCove · 17 credits in all
TMDB popularity, last 39 days to Oct 28Down 9% in 30 days

What are Philippe Béziat's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Society.

Themes

share of theme weight
Ideas
65%
Society
24%
Bonds
11%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 2 · Stylized 1 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Joyful
1
Warm
1
Triumphant
1
Hopeful
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Philippe Béziat's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Philippe Béziat's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 3 with a MovieCove page.

  • Nous l'orchestre(2026)

    Director · Screenplay

    Midcredits score: 85th percentile of all films
  • Lea Desandre Sings Vivaldi @ Salzburger Festspiele 2026 (not in the MovieCove catalog yet)(2026)

    Director

  • Philharmonie de Paris: Antigone (not in the MovieCove catalog yet)(2025)

    Camera Operator

  • Six personnages en quête d'auteur (not in the MovieCove catalog yet)(2025)

    Director

  • Mahler: Résurrection - Festival d’Aix-en-Provence (not in the MovieCove catalog yet)(2022)

    Director

  • Gallant Indies(2020)

    Director

    Midcredits score: 72nd percentile of all films
  • Tosca by Giacomo Puccini (not in the MovieCove catalog yet)(2019)

    Director

  • 20 000 lieues sous les mers (Comédie Française) (not in the MovieCove catalog yet)(2018)

    Director

  • Becoming Traviata(2012)

    Director

    Midcredits score: 68th percentile of all films
  • Antoine’s four Seasons (not in the MovieCove catalog yet)(2012)

    Director

  • Noces (not in the MovieCove catalog yet)(2012)

    Director

  • Pelléas et Mélisande, le chant des aveugles (not in the MovieCove catalog yet)(2009)

    Director

  • Les Contes D'Hoffmann (not in the MovieCove catalog yet)(2008)

    Director

  • La pietra del paragone (not in the MovieCove catalog yet)(2007)

    Director

  • Infrarouge (not in the MovieCove catalog yet)(2006)

    Show 1 episode · Director

  • The King of the Misty Forest (not in the MovieCove catalog yet)(2003)

    Cinematographer · Color Designer

  • Malan Malé - The Voice of Independence (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 17 titles, 16 of them dated from 2003 to 2026.

By role

only this rolewith another role
Directing15 of 17: 14 only directing, 1 with another roleWriting1 of 17: 0 only writing, 1 with another roleCinematography1 of 17: 0 only cinematography, 1 with another roleOther crew2 of 17: 1 only other crew, 1 with another role

By decade

2000s5 · crew2010s5 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Philippe Béziat's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 3

Approval · how many liked their films

63rdpercentile
Typical film, the median of 3

Reach · how many have seen their films

54thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th2

Shape of the crowd

None of their 3 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Philippe Béziat work with?

People who share at least 2 of Philippe Béziat's MovieCove titles, grouped by what they did on them; Philippe Martin shares the most, 3.

Cinematographers and editors

Producers