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Andrew Rossi

Andrew Rossi

Producer, director, cinematographer and writer, also editor · United States

Primetime Emmy nominee · 1 other major award body

Andrew Rossi is a director, producer, and cinematographer of documentary films. His first feature film, Eat This New York, aired on the Sundance Channel in 2004. He then directed Le Cirque: A Table In Heaven, a documentary about restaurateur Sirio Maccioni and his family, which premiered at the 2007 Full Frame Documentary Film Festival and was later shown on HBO. His most recent film Page One: Inside the New York Times premiered at the 2011 Sundance Film Festival and is being released in theaters on June 17, 2011. He was also associate producer on the film Control Room and producer/director of the short The Sky Did Not Fall. Description above from the Wikipedia article Andrew Rossi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

From
United States
Works as
Producer, director, cinematographer and writer, also editor
Titles
14 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Up 2% in 30 days

What are Andrew Rossi's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Ideas and Self.

Themes

share of theme weight
Ideas
26%
Self
18%
Morality
16%
Society
14%
Bonds
11%
Power
9%
Survival
6%
Truth4 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeArt3 titles, browse their movies with this themeClass2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeTechnology2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 1 · Dark 5

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 7 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

A split, not a type: Steady 5 · Shifting 6 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 7 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 4 · Heavy 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 5 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Contemplative
8
Warm
3
Melancholic
3
Dread
2
Other
10

How their films linger

Thought-provoking9 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteInfuriating2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet6
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Rossi's films?

As of October 24, 2026, 12 of their 14 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Andrew Rossi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 14 with a MovieCove page.

  • The Andy Warhol Diaries(2022)

    Show 6 episodes · Director · Executive Producer · Writer

    Midcredits score: 71st percentile of all shows

  • Undercurrent: The Disappearance of Kim Wall(2022)

    Show 2 episodes · Executive Producer

    Midcredits score: 39th percentile of all shows

  • Marvel's 616 (not in the MovieCove catalog yet)(2020)

    Show 1 episode · Director

  • Hysterical Girl (not in the MovieCove catalog yet)(2020)

    Cinematographer · Producer

  • After Truth: Disinformation and the Cost of Fake News(2020)

    Director · Cinematographer · Producer

    Midcredits score: 76th percentile of all films

  • The Queen's Man(2019)

    Producer

    Midcredits score: 74th percentile of all films (provisional, few ratings)

  • I Love You, Now Die: The Commonwealth v. Michelle Carter (not in the MovieCove catalog yet)(2019)

    Show 2 episodes · Producer

  • 7 Days Out(2018)

    Show 6 episodes · Executive Producer

    Midcredits score: 30th percentile of all shows

  • The Gospel According to André(2017)

    Cinematographer · Producer

    Midcredits score: 74th percentile of all films

  • Bronx Gothic(2017)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 48th percentile of all films (provisional, few ratings)

  • Mommy Dead and Dearest(2017)

    Producer

    Midcredits score: 92nd percentile of all films

  • The First Monday in May(2016)

    Director · Cinematographer · Editor

    Midcredits score: 83rd percentile of all films

  • Thought Crimes: The Case of the Cannibal Cop(2015)

    Producer

    Midcredits score: 49th percentile of all films

  • Ivory Tower(2014)

    Director · Cinematographer · Editor · Producer · Writer

    Midcredits score: 80th percentile of all films

  • Page One(2011)

    Director · Cinematographer · Executive Producer · Writer

    Midcredits score: 79th percentile of all films

  • Le Cirque: A Table in Heaven(2007)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 49th percentile of all films

  • Eat This New York (not in the MovieCove catalog yet)(2004)

    Director · Producer · Sound Editor

  • Control Room(2004)

    Associate Producer

    Midcredits score: 94th percentile of all films

Career shape

A full career of 18 titles from 2004 to 2022.

Biggest box office

Control Room (2004)

$2.7M worldwide

Highest rated

Control Room (2004)

Midcredits 94th

Most popular right now

The Andy Warhol Diaries (2022)

By role

only this rolewith another role
Directing9 of 18: 3 only directing, 6 with another role · typical Midcredits score76thWriting2 of 18: 0 only writing, 2 with another roleProducing13 of 18: 7 only producing, 6 with another role · typical Midcredits score75thCinematography4 of 18: 1 only cinematography, 3 with another roleEditing1 of 18: 0 only editing, 1 with another roleOther crew1 of 18: 0 only other crew, 1 with another role

18 titles, 7 with more than one role — producing and directing overlap on 5 of them.

By decade

2000s3 · crew2010s10 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

5 major nominations and no wins, 2011–2022.

  1. 2022
    • Primetime Emmy, nominated · Outstanding Directing for a Documentary/Nonfiction Program
    • Primetime Emmy, nominated · Outstanding Documentary or Nonfiction Series
    • Primetime Emmy, nominated · Outstanding Writing for a Nonfiction Program
  2. 2014
    • Sundance award, nominated · Documentary
  3. 2011
    • Sundance award, nominated · Documentary

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Andrew Rossi's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 77th percentile for acclaim.

Acclaim · how much people like their films

77thpercentile
Typical film, the median of 11

Approval · how many liked their films

74thpercentile
Typical film, the median of 11

Reach · how many have seen their films

57thpercentile
Typical film, the median of 11

Midcredits score across 14 titles, by percentile

  • 75th and up6
  • 50th to 74th3
  • 25th to 49th5

Shape of the crowd

7 of their 14 titles are Crowd Pleasers.

  • Universally Loved2
  • Divisive1
  • Crowd Pleaser7
  • Broadly Agreed1
  • Mixed3

Most divisive · producer

The Queen's Man (2019)

99th percentile spread · 40% rated it 4 or lower

Most loved · producer

Control Room (2004)

Midcredits 94th · 84% liked

Reviewers score the atmosphere 72/100 and the pacing 57/100 in their films, across 9 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrew Rossi work with?

People who share at least 2 of Andrew Rossi's MovieCove titles, grouped by what they did on them; Andrew Coffman shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles