
Stephanie Martin
- Cinematographer and director
- 9 on MovieCove · 12 credits in all
What are Stephanie Martin's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 4 · Stylized 0 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 1
Steady 1 · Shifting 2 · Whiplash 1
Straight-faced 1 · Some laughs 3 · Funny 0
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 1
A split, not a type: Casual 3 · Engaged 0 · Full focus 1
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stephanie Martin's films?
As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Hulu (2).
Subscription and free streaming for Stephanie Martin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 9 with a MovieCove page.

Walker(2021)
Midcredits score: 34th percentile of all shows
Berlin, I Love You(2019)
Midcredits score: 8th percentile of all films
The Rookie(2018)
Midcredits score: 89th percentile of all shows
The Resident(2018)
Midcredits score: 91st percentile of all shows
Under the Bed(2017)
Midcredits score: 12th percentile of all films
The Neon Demon(2016)
Midcredits score: 50th percentile of all films
Wild Horses (not in the MovieCove catalog yet)(2013)

World War Z(2013)
Midcredits score: 78th percentile of all films
31 días(2013)
Midcredits score: 27th percentile of all films
Dick Tracy Special (not in the MovieCove catalog yet)(2009)

The Objective(2008)
Midcredits score: 26th percentile of all filmsWomen Behind the Camera (not in the MovieCove catalog yet)(2007)
Career shape
A full career of 12 titles from 2007 to 2021.

Biggest box office
Berlin, I Love You (2019)

Highest rated
The Objective (2008)

Most popular right now
Berlin, I Love You (2019)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Stephanie Martin's films land?
Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 20th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th3
- Below 25th2
Shape of the crowd
4 of their 9 titles are Mixed.
- Universally Loved1
- Cult Classic2
- Crowd Pleaser2
- Mixed4
Reviewers score the cinematography 55/100 in their films, across 3 reviewed titles; fans 70, detractors 40. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Stephanie Martin work with?
People who share at least 2 of Stephanie Martin's MovieCove titles, grouped by what they did on them; Daniel Myrick shares the most, 2.
Directors
- Daniel MyrickShared titles: Under the Bed (2017), The Objective (2008)See all 2 shared titles with Daniel Myrick

Composers
- Kays Al-AtrakchiShared titles: Under the Bed (2017), The Objective (2008)See all 2 shared titles with Kays Al-Atrakchi
Producers
- Claus ClausenShared titles: Berlin, I Love You (2019), The Objective (2008)See all 2 shared titles with Claus Clausen
- Steffen AumuellerShared titles: Berlin, I Love You (2019), The Objective (2008)See all 2 shared titles with Steffen Aumueller
- Richard HalpernShared titles: Under the Bed (2017), The Objective (2008)See all 2 shared titles with Richard Halpern
