- Director, producer, writer and actor
- 3 on MovieCove · 4 credits in all
What are Antonio Santini's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 1 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
A split, not a type: Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Antonio Santini's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Antonio Santini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 3 with a MovieCove page.
Career shape
A full career of 4 titles from 2011 to 2026.
How do Antonio Santini's films land?
Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Reviewers score the atmosphere 76/100 and the pacing 51/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Antonio Santini work with?
People who share at least 2 of Antonio Santini's MovieCove titles, grouped by what they did on them; Dan Sickles shares the most, 2.
Directors
- Dan SicklesShared titles: Dina (2017), Mala Mala (2014)See all 2 shared titles with Dan Sickles

Composers, cinematographers and editors
- Flavien BergerShared titles: Bouchra (2024), Mala Mala (2014)See all 2 shared titles with Flavien Berger

- Adam UhlShared titles: Dina (2017), Mala Mala (2014)See all 2 shared titles with Adam Uhl
- Sofía SubercaseauxShared titles: Dina (2017), Mala Mala (2014)See all 2 shared titles with Sofía Subercaseaux

Producers
- Christine VachonShared titles: Dina (2017), Mala Mala (2014)See all 2 shared titles with Christine Vachon

- Dan LevinsonShared titles: Dina (2017), Mala Mala (2014)See all 2 shared titles with Dan Levinson
- David HinojosaShared titles: Dina (2017), Mala Mala (2014)See all 2 shared titles with David Hinojosa




