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Karen Wookey

Producer

Works as
Producer
Titles
8 on MovieCove · 10 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Up 2% in 30 days

What are Karen Wookey's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
30%
Self
28%
Survival
26%
Morality
6%
Society
6%
Ideas
4%
Family bonds3 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 0 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 1 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 4 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 2 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 3 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 1 · Affecting 0 · Heavy 4

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
3
Tense
3
Dread
2
Contemplative
3
Bittersweet
1
Other
5

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet3
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Karen Wookey's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Karen Wookey's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 8 with a MovieCove page.

  • Humane(2024)

    Executive Producer

    Midcredits score: 20th percentile of all films

  • The Young Arsonists(2022)

    Executive Producer

    Midcredits score: 33rd percentile of all films (provisional, few ratings)

  • Akilla's Escape(2020)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • Tammy's Always Dying(2019)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Our House(2018)

    Producer

    Midcredits score: 18th percentile of all films

  • CBC Docs POV (not in the MovieCove catalog yet)(2017)

    Show 1 episode · Co-Director · Producer

  • Vegas Rat Rods(2014)

    Show Producer

    Midcredits score: 41st percentile of all shows

  • Man on the Train(2011)

    Producer

    Midcredits score: 30th percentile of all films

  • Relic Hunter(1999)

    Show 1 episode · Supervising Producer

    Midcredits score: 31st percentile of all shows

  • Pigeon (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 7 titles, 6 of them dated from 1999 to 2024.

Biggest box office

Humane (2024)

$45K worldwide

Highest rated

Humane (2024)

Midcredits 20th

By role

only this rolewith another role
Directing1 of 7: 0 only directing, 1 with another roleProducing7 of 7: 6 only producing, 1 with another role · typical Midcredits score31st

By decade

1990s1 · crew2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Karen Wookey's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 5

Approval · how many liked their films

30thpercentile
Typical film, the median of 5

Reach · how many have seen their films

56thpercentile
Typical film, the median of 5

Midcredits score across 8 titles, by percentile

  • 25th to 49th6
  • Below 25th2

Shape of the crowd

4 of their 8 titles are Mixed.

  • Cult Classic2
  • Broadly Agreed2
  • Mixed4

Most divisive · producer

The Young Arsonists (2022)

80th percentile spread · 42% rated it 4 or lower

Most loved · producer

Vegas Rat Rods (2014)

Midcredits 41st · 64% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Karen Wookey work with?

People who share at least 2 of Karen Wookey's MovieCove titles, grouped by what they did on them; Martin Katz shares the most, 5.

Producers