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Asche & Spencer

Composer

Works as
Composer
Titles
6 on MovieCove · 10 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 21% in 30 days

What are Asche & Spencer's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
38%
Survival
30%
Society
11%
Power
10%
Bonds
8%
Ideas
3%
Redemption2 titles, browse their movies with this themeGrief2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 0 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 0 · Heightened 2

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 2 · Intense 4

Whiplash: How much it swings between very different feelings. Browse their whiplash movies.
Feel · Swings
steadyswings

Steady 0 · Shifting 3 · Whiplash 3

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 0 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 4 · Even-paced 1 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 4 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 1 · Affecting 0 · Heavy 5

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Melancholic
4
Dread
2
Absurd
1
Contemplative
2
Other
5

How their films linger

Thought-provoking4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet5
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Asche & Spencer's films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Asche & Spencer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • Set Me Free: Vol. II (not in the MovieCove catalog yet)(2016)

    Composer

  • Set Me Free: Vol. I (not in the MovieCove catalog yet)(2016)

    Composer

  • Fort Bliss(2014)

    Composer

    Midcredits score: 60th percentile of all films

  • I'm Still Here (not in the MovieCove catalog yet)(2013)

    Composer

  • Machine Gun Preacher(2011)

    Composer

    Midcredits score: 66th percentile of all films

  • The Onion Movie(2008)

    Composer

    Midcredits score: 53rd percentile of all films

  • Stay(2005)

    Composer

    Midcredits score: 72nd percentile of all films

  • Our Time Is Up (not in the MovieCove catalog yet)(2004)

    Composer

  • Jasper, Texas(2003)

    Composer

    Midcredits score: 60th percentile of all films

  • Monster's Ball(2001)

    Composer

    Midcredits score: 79th percentile of all films

Career shape

A full career of 9 titles from 2001 to 2016.

Biggest box office

Monster's Ball (2001)

$45M worldwide

Highest rated

Monster's Ball (2001)

Midcredits 79th

Most popular right now

Stay (2005)

By role

only this rolewith another role
Music9 of 9: 9 only music, 0 with another role · typical Midcredits score60th

By decade

2000s4 · crew2010s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Asche & Spencer's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 6

Approval · how many liked their films

66thpercentile
Typical film, the median of 6

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th5

Shape of the crowd

6 of their 6 titles are Crowd Pleasers.

  • Crowd Pleaser6

Most divisive · composer

The Onion Movie (2008)

53rd percentile spread · 18% rated it 4 or lower

Most loved · composer

Monster's Ball (2001)

Midcredits 79th · 72% liked

Reviewers score the sound and music 63/100 in their films, across 4 reviewed titles; fans 70, detractors 49. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Asche & Spencer's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 65 · intenseMedian of all films: 44
Sex & Nudity5 titles33–76 · median 60 · intenseheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 74 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 60 · intenseMedian of all films: 33
Frightening / Intense3 titlesmedian 82 · severeMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Asche & Spencer work with?

People who share at least 2 of Asche & Spencer's MovieCove titles, grouped by what they did on them; Matt Chesse shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers