
- Cinematographer, director and editor, also producer
- 19 on MovieCove · 26 credits in all
What are Richard Wong's films like?
Across their 17 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 3 · Wry 0 · Earnest 13
A split, not a type: Light 7 · Serious 4 · Dark 5
Grounded 10 · Stylized 4 · Heightened 2
Gentle 5 · Charged 7 · Intense 4
Steady 6 · Shifting 9 · Whiplash 1
A split, not a type: Straight-faced 11 · Some laughs 1 · Funny 4
Slow burn 9 · Even-paced 7 · Relentless 0
Casual 7 · Engaged 9 · Full focus 0
A split, not a type: Easy watch 7 · Affecting 2 · Heavy 7
Resolved 9 · Open-ended 6 · Ambiguous 1
Moods and endings
- Happy6
- Bittersweet7
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Richard Wong's films?
As of October 24, 2026, 12 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (4).
- Curiosity Stream
Subscription and free streaming for Richard Wong's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 19 with a MovieCove page.

The Stamp Thief (not in the MovieCove catalog yet)(2025)

Coming Home Again (not in the MovieCove catalog yet)(2023)

The Valet(2022)
Midcredits score: 72nd percentile of all films
Groomed(2021)
Midcredits score: 72nd percentile of all films
Shook(2021)
Midcredits score: 8th percentile of all films
Midcredits score: 69th percentile of all films
Come as You Are(2019)
Midcredits score: 83rd percentile of all films
Dear...(2020)
Midcredits score: 25th percentile of all shows
Saint Judy(2018)
Midcredits score: 68th percentile of all films
Unleashed(2016)
Midcredits score: 55th percentile of all films
Girlfriend's Day(2017)
Midcredits score: 15th percentile of all films
To the Bone(2017)
Midcredits score: 73rd percentile of all films
Capture(2017)
Midcredits score: 15th percentile of all films (provisional, few ratings)
Advantageous(2015)
Midcredits score: 48th percentile of all films
Beautiful & Twisted(2015)
Midcredits score: 27th percentile of all films
Cleveland Abduction(2015)
Midcredits score: 70th percentile of all films
Spare Parts(2015)
Midcredits score: 84th percentile of all films
Man from Reno(2014)
Midcredits score: 70th percentile of all films
Soul of a Banquet(2014)
Midcredits score: 55th percentile of all filmsYes, We're Open (not in the MovieCove catalog yet)(2012)
Midcredits score: 48th percentile of all filmsWu Is Dead (not in the MovieCove catalog yet)(2011)
Chinatown Film Project (not in the MovieCove catalog yet)(2009)

The Princess of Nebraska(2007)
Midcredits score: 23rd percentile of all films
Colma: The Musical (not in the MovieCove catalog yet)(2006)
29 Dates (not in the MovieCove catalog yet)
Career shape
A full career of 22 titles, 21 of them dated from 2006 to 2025.

Biggest box office
Snow Flower and the Secret Fan (2011)

Highest rated
Spare Parts (2015)

Most popular right now
Dear... (2020)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Nominated for an Independent Spirit Award in 2007.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Richard Wong's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 18; across their 16 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up2
- 50th to 74th9
- 25th to 49th4
- Below 25th4
Shape of the crowd
9 of their 19 titles are Crowd Pleasers.
- Cult Classic2
- Crowd Pleaser9
- Broadly Agreed1
- Mixed7
Reviewers score the cinematography 60/100 in their films, across 8 reviewed titles; fans 71, detractors 44. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Richard Wong's work okay for kids?
Across up to 5 MovieCove titles with content scores, every category sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Richard Wong work with?
People who share at least 2 of Richard Wong's MovieCove titles, grouped by what they did on them; Wayne Wang shares the most, 3.
Directors
- Wayne WangShared titles: Soul of a Banquet (2014), Snow Flower and the Secret Fan (2011), The Princess of Nebraska (2007)See all 3 shared titles with Wayne Wang

- Jennifer HarringtonShared titles: Shook (2021), Dear... (2020)See all 2 shared titles with Jennifer Harrington

- Michael Paul StephensonShared titles: Attack of the Murder Hornets (2021), Girlfriend's Day (2017)See all 2 shared titles with Michael Paul Stephenson

Writers
- Michael RayShared titles: Snow Flower and the Secret Fan (2011), The Princess of Nebraska (2007)See all 2 shared titles with Michael Ray
Actors
- Daisye TutorShared titles: Shook (2021), Come as You Are (2019)See all 2 shared titles with Daisye Tutor

- Grant RosenmeyerShared titles: Shook (2021), Come as You Are (2019)See all 2 shared titles with Grant Rosenmeyer

Editors
- Deirdre SlevinShared titles: Snow Flower and the Secret Fan (2011), The Princess of Nebraska (2007)See all 2 shared titles with Deirdre Slevin
Producers
- James HuntsmanShared titles: Come as You Are (2019), Saint Judy (2018), Unleashed (2016)See all 3 shared titles with James Huntsman

- Ben OdellShared titles: The Valet (2022), Spare Parts (2015)See all 2 shared titles with Ben Odell

- Bryan DeGuireShared titles: Attack of the Murder Hornets (2021), Girlfriend's Day (2017)See all 2 shared titles with Bryan DeGuire
- Chris KilvingtonShared titles: Attack of the Murder Hornets (2021), Girlfriend's Day (2017)See all 2 shared titles with Chris Kilvington
Mixed roles
- Ron BassShared titles: Spare Parts (2015), Snow Flower and the Secret Fan (2011)See all 2 shared titles with Ron Bass




