Lila Rawlings is Head of Creative: Film and Television for Award-winning director Alfonson Cuarón's London-based company Esperanto Filmoj. Previously, she was an Executive Producer at at Left Bank Pictures. Her work there included Sitting in Limbo, concerning the Windrush Scandal, Electric Dreams: a 10 part anthology series and Oasis a pilot. She has also worked as a freelance Script Consultant, advising and consulting for a number of financiers including British Film Institute, Scottish Screen, iFeatures and Film London as well as a variety of established producers and production companies. Previously Development Executive at Film4, Head of Development for Drama and Film at Century Films, and Head of Development at Dakota Films, Lila has worked on titles such as Steve McQueen's Shame, Andrea Arnold's Wuthering Heights, Dan Kokotajlo's Apostasy, and Clio Barnard's The Selfish Giant as well as producing for companies such as Amazon and Channel 4.
Read moreShow less
Biography from IMDb.
- Producer and writer
- 8 on MovieCove · 11 credits in all
What are Lila Rawlings' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 1 · Serious 2 · Dark 2
A split, not a type: Grounded 3 · Stylized 0 · Heightened 2
A split, not a type: Gentle 2 · Charged 0 · Intense 3
A split, not a type: Steady 3 · Shifting 1 · Whiplash 1
Straight-faced 3 · Some laughs 2 · Funny 0
Slow burn 5 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2
Resolved 1 · Open-ended 4 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lila Rawlings' films?
As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Lila Rawlings' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 8 with a MovieCove page.
Midcredits score: 83rd percentile of all films
The Shepherd(2023)
Midcredits score: 57th percentile of all films
Le pupille(2022)
Midcredits score: 77th percentile of all films
Monsoon(2019)
Midcredits score: 38th percentile of all films
Sitting in Limbo (not in the MovieCove catalog yet)(2020)
Dark River(2017)
Midcredits score: 44th percentile of all films
Apostasy(2017)
Midcredits score: 79th percentile of all films
Electric Dreams(2017)
Midcredits score: 60th percentile of all shows
Oasis (not in the MovieCove catalog yet)(2017)
The Selfish Giant(2013)
Midcredits score: 92nd percentile of all films
Jane (not in the MovieCove catalog yet)
Career shape
A full career of 9 titles, 8 of them dated from 2017 to 2024.
How do Lila Rawlings' films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 80th percentile for acclaim.
- 75th and up4
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
None of their 8 titles divides audiences: 6 are Crowd Pleasers.
- Crowd Pleaser6
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 48/100 and the plot and story 48/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lila Rawlings work with?
People who share at least 2 of Lila Rawlings' MovieCove titles, grouped by what they did on them; Alfonso Cuarón shares the most, 3.
Directors
- Clio BarnardShared titles: Dark River (2017), The Selfish Giant (2013)See all 2 shared titles with Clio Barnard
Composers and editors
- Harry EscottShared titles: Dark River (2017), The Selfish Giant (2013)See all 2 shared titles with Harry Escott
- Nick FentonShared titles: Dark River (2017), The Selfish Giant (2013)See all 2 shared titles with Nick Fenton
Producers
- Alfonso CuarónShared titles: An Almost Christmas Story (2024), The Shepherd (2023), Le pupille (2022)See all 3 shared titles with Alfonso Cuarón
- Alice Scandellari BurrShared titles: An Almost Christmas Story (2024), The Shepherd (2023), Le pupille (2022)See all 3 shared titles with Alice Scandellari Burr
- Gabriela RodríguezShared titles: An Almost Christmas Story (2024), The Shepherd (2023), Le pupille (2022)See all 3 shared titles with Gabriela Rodríguez
- Lizzie FranckeShared titles: Dark River (2017), The Selfish Giant (2013)See all 2 shared titles with Lizzie Francke
