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Peter Phok

Peter Phok

Producer · Born October 1, 1981 (45) · New York City, New York, USA

Peter Phok was born on 1 October 1981 in New York City, New York, USA. He is a producer and production manager, known for Stake Land (2010), X (2022) and V/H/S (2012).

Biography from IMDb.

Born
October 1, 1981 (45)
From
New York City, New York, USA
Works as
Producer
Titles
22 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 14% in 30 days

What are Peter Phok's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Genres

Drama8 titlesTypical Midcredits score: 38th percentile, at or above their average across these genres
: browse their Drama movies
Horror8 titlesTypical Midcredits score: 22nd percentile
: browse their Horror movies
Comedy2 titlesTypical Midcredits score: 35th percentile, at or above their average across these genres
: browse their Comedy movies
Crime2 titlesTypical Midcredits score: 38th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
38%
Self
20%
Morality
18%
Bonds
10%
Society
8%
Ideas
3%
Power
2%
Survival12 titles, browse their movies with this themeObsession3 titles, browse their movies with this themeRevenge3 titles, browse their movies with this themeViolence5 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 6 · Dark 14

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 12 · Stylized 4 · Heightened 5

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 6 · Intense 14

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 13 · Whiplash 5

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 18 · Some laughs 2 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 15 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 11 · Full focus 5

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 1 · Affecting 12 · Heavy 8

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 12 · Open-ended 6 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
19
Dread
17
Melancholic
8
Cold
3
Thrilling
3
Other
7

How their films linger

Unsettling16 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteHaunting6 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy1
  • Bittersweet7
  • Tragic1
  • Ambiguous13

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Phok's films?

As of October 24, 2026, 19 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (15).

Also on these channels

Subscription and free streaming for Peter Phok's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 22 with a MovieCove page.

  • MaXXXine(2024)

    Executive Producer · Post Production Supervisor

    Midcredits score: 49th percentile of all films

  • The Sacrifice Game(2023)

    Executive Producer

    Midcredits score: 22nd percentile of all films

  • Pearl(2022)

    Executive Producer · Post Production Supervisor

    Midcredits score: 85th percentile of all films

  • X(2022)

    Executive Producer · Post Production Supervisor

    Midcredits score: 68th percentile of all films

  • Dear Zoe(2022)

    Producer

    Midcredits score: 48th percentile of all films

  • 1BR(2019)

    Executive Producer

    Midcredits score: 35th percentile of all films

  • Deadwax(2018)

    Show 8 episodes · Executive Producer

    Midcredits score: 27th percentile of all shows

  • Only a Switch (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • Like Me(2017)

    Executive Producer

    Midcredits score: 26th percentile of all films

  • Most Beautiful Island(2017)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • Central Park(2017)

    Executive Producer

    Midcredits score: 4th percentile of all films

  • In a Valley of Violence(2016)

    Post Production Supervisor · Producer

    Midcredits score: 46th percentile of all films

  • The Stakelander(2016)

    Post Production Supervisor · Producer

    Midcredits score: 21st percentile of all films

  • The Sacrament(2013)

    Producer

    Midcredits score: 42nd percentile of all films

  • Beneath(2013)

    Producer

    Midcredits score: 1st percentile of all films

  • Hypothermia(2010)

    Producer

    Midcredits score: 3rd percentile of all films

  • The Innkeepers(2011)

    Post Production Supervisor · Producer

    Midcredits score: 27th percentile of all films

  • Stake Land: Jebediah (not in the MovieCove catalog yet)(2011)

    Post Production Supervisor · Producer

  • Stake Land: Martin (not in the MovieCove catalog yet)(2011)

    Post Production Supervisor · Producer

  • Stake Land: Mister (not in the MovieCove catalog yet)(2011)

    Post Production Supervisor · Producer

  • Stake Land: Origins (not in the MovieCove catalog yet)(2011)

    Post Production Supervisor · Producer

  • Stake Land: Sister (not in the MovieCove catalog yet)(2011)

    Post Production Supervisor · Producer

  • Stake Land: The Day I Told My Boyfriend (not in the MovieCove catalog yet)(2011)

    Post Production Supervisor · Producer

  • Stake Land: Willie (not in the MovieCove catalog yet)(2011)

    Post Production Supervisor · Producer

  • Stake Land(2010)

    Producer

    Midcredits score: 60th percentile of all films

  • Satan Hates You (not in the MovieCove catalog yet)(2010)

    Post Production Supervisor · as Party Guest

  • Bitter Feast(2010)

    Producer

    Midcredits score: 24th percentile of all films

  • The House of the Devil(2009)

    Post Production Supervisor · Producer

    Midcredits score: 60th percentile of all films

  • I Can See You(2008)

    Producer

    Midcredits score: 22nd percentile of all films

  • I Sell the Dead(2008)

    Producer

    Midcredits score: 45th percentile of all films

  • Trigger Man(2007)

    Producer

    Midcredits score: 12th percentile of all films

  • Cottagecore (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 30 titles, 29 of them dated from 2007 to 2024.

Biggest box office

MaXXXine (2024)

$22M worldwide

Highest rated

Pearl (2022)

Midcredits 85th

Most popular right now

X (2022)

By role

only this rolewith another role
Acting1 of 30: 0 only acting, 1 with another roleProducing29 of 30: 15 only producing, 14 with another role · typical Midcredits score27thOther crew15 of 30: 0 only other crew, 15 with another role · typical Midcredits score49th

30 titles, 15 with more than one role — producing and other crew overlap on 14 of them.

By decade

2000s3 · crew2010s22 · 1 acting · 22 crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Phok's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 21; across their 21 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 21

Approval · how many liked their films

29thpercentile
Typical film, the median of 21

Reach · how many have seen their films

84thpercentile
Typical film, the median of 21

Midcredits score across 22 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th10
  • Below 25th8

Shape of the crowd

11 of their 22 titles are Mixed.

  • Universally Panned2
  • Crowd Pleaser4
  • Broadly Agreed5
  • Mixed11

Most divisive · producer

I Can See You (2008)

84th percentile spread · 46% rated it 4 or lower

Most loved · producer

Pearl (2022)

Midcredits 85th · 71% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Phok's work okay for kids?

Across up to 12 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles58–90 · median 83 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity12 titles12–67 · median 34 · mildnear the median of all filmsMedian of all films: 32
Profanity11 titles31–79 · median 57 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles26–69 · median 35 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles55–84 · median 77 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Peter Phok work with?

People who share at least 2 of Peter Phok's MovieCove titles, grouped by what they did on them; Larry Fessenden shares the most, 13.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles