
James Adolphus
Cinematographer, director and producer
Primetime Emmy nominee · 1 other major award body
James Adolphus is a director, an Emmy Award-winning producer, and a three-time Peabody Award-winning cinematographer who focuses on stories of globally relevant social, cultural, and political issues. James Adolphus is a cinematography alumnus of the American Film Institute Conservatory, and he is the recipient of the American Film Institute Conservatory Fisher Fellow Award.
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Biography from IMDb.
- Cinematographer, director and producer
- 9 on MovieCove · 16 credits in all
What are James Adolphus' films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 4 · Stylized 0 · Heightened 0
Gentle 2 · Charged 2 · Intense 0
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet4
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch James Adolphus' films?
As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on Netflix (4).
Subscription and free streaming for James Adolphus' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 9 with a MovieCove page.

Noah Kahan: Out of Body(2026)
Midcredits score: 98th percentile of all films
Hollywood Black(2024)
Midcredits score: 26th percentile of all shows
Being Mary Tyler Moore(2023)
Midcredits score: 91st percentile of all films
Dating Around(2019)
Midcredits score: 14th percentile of all shows
Rapture(2018)
Midcredits score: 39th percentile of all shows
Midcredits score: 94th percentile of all shows
Midcredits score: 79th percentile of all films
Little White Lie(2014)
Midcredits score: 80th percentile of all films
The Warren (not in the MovieCove catalog yet)(2014)

Beauty Queen Murders(2013)
Midcredits score: 24th percentile of all shows
Boys On Film 4: Protect Me From What I Want (not in the MovieCove catalog yet)(2010)

Steam (not in the MovieCove catalog yet)(2009)

Needle Through Brick (not in the MovieCove catalog yet)(2009)

The Gates (not in the MovieCove catalog yet)(2008)

Learn to Dance Like a Princess! (not in the MovieCove catalog yet)(2006)

Postmortem (not in the MovieCove catalog yet)(2005)
Career shape
A full career of 12 titles from 2005 to 2024.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
2 major nominations and no wins, 2023–2024.
- Producers Guild Award, nominated · Outstanding Producer of Non-Fiction Television
- Primetime Emmy, nominated · Outstanding Documentary or Nonfiction Special
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do James Adolphus' films land?
Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up5
- 25th to 49th2
- Below 25th2
Shape of the crowd
3 of their 9 titles are Crowd Pleasers.
- Universally Loved2
- Divisive1
- Cult Classic1
- Crowd Pleaser3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does James Adolphus work with?
People who share at least 2 of James Adolphus' MovieCove titles, grouped by what they did on them; Mariah Rehmet shares the most, 2.
Editors
- Mariah RehmetShared titles: Being Mary Tyler Moore (2023), Rapture (2018)See all 2 shared titles with Mariah Rehmet

Producers
- Dave SirulnickShared titles: Noah Kahan: Out of Body (2026), Hollywood Black (2024)See all 2 shared titles with Dave Sirulnick

- Jon KamenShared titles: Noah Kahan: Out of Body (2026), Hollywood Black (2024)See all 2 shared titles with Jon Kamen

- Stacey ReissShared titles: Noah Kahan: Out of Body (2026), Hollywood Black (2024)See all 2 shared titles with Stacey Reiss
- Ben SelkowShared titles: Being Mary Tyler Moore (2023), Rapture (2018)See all 2 shared titles with Ben Selkow

Mixed roles
- Lena WaitheShared titles: Hollywood Black (2024), Being Mary Tyler Moore (2023)See all 2 shared titles with Lena Waithe



