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Antonio Irivan de Souza

Producer

Works as
Producer
Titles
11 on MovieCove · 17 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Down 9% in 30 days

What are Antonio Irivan de Souza's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
30%
Bonds
27%
Survival
18%
Morality
13%
Society
8%
Power
3%
Purpose3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeFaith2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
5
Dread
3
Hopeful
3
Contemplative
3
Other
4

How their films linger

Hopeful4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteInfuriating2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy2
  • Bittersweet4
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Antonio Irivan de Souza's films?

As of October 24, 2026, all 11 MovieCove titles stream on a subscription or free service, most on Netflix (4).

Also on these channels

Subscription and free streaming for Antonio Irivan de Souza's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 11 with a MovieCove page.

  • Rivers of Fate(2025)

    Show Producer

    Midcredits score: 39th percentile of all shows

  • Vidas Bandidas(2024)

    Show 4 episodes · Executive Producer

    Midcredits score: 58th percentile of all shows

  • Killer Vacation(2023)

    Show 8 episodes · Executive Producer

    Midcredits score: 10th percentile of all shows

  • Amar é para os Fortes(2023)

    Show Producer

    Midcredits score: 22nd percentile of all shows

  • Their Stories(2023)

    Show Producer

    Midcredits score: 6th percentile of all shows

  • Suspension Points (not in the MovieCove catalog yet)(2022)

    Executive Producer · Production Director

  • A Suspeita (not in the MovieCove catalog yet)(2022)

    Line Producer

  • Lov3(2022)

    Show 6 episodes · Line Producer

    Midcredits score: 8th percentile of all shows

  • Santo(2022)

    Show Producer

    Midcredits score: 2nd percentile of all shows

  • Os Parças 2 (not in the MovieCove catalog yet)(2019)

    Executive Producer

  • Jezabel(2019)

    Show Producer

    Midcredits score: 79th percentile of all shows

  • Nothing to Lose 2(2019)

    Producer

    Midcredits score: 18th percentile of all films

  • Nothing to Lose(2018)

    Executive Producer

    Midcredits score: 44th percentile of all films

  • Legalize It! (not in the MovieCove catalog yet)(2017)

    Line Producer

  • Elis(2016)

    Executive Producer

    Midcredits score: 77th percentile of all films

  • Antônia (not in the MovieCove catalog yet)(2007)

    Production Manager

  • O Invasor (not in the MovieCove catalog yet)(2002)

    Assistant Production Manager · Producer

Career shape

A full career of 11 titles from 2002 to 2024.

Biggest box office

Nothing to Lose (2018)

$36M worldwide

Highest rated

Elis (2016)

Midcredits 77th

Most popular right now

Jezabel (2019)

By role

only this rolewith another role
Producing10 of 11: 8 only producing, 2 with another role · typical Midcredits score44thOther crew3 of 11: 1 only other crew, 2 with another role

By decade

2000s2 · crew2010s4 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Antonio Irivan de Souza's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 8th percentile for acclaim.

Acclaim · how much people like their films

8thpercentile
Typical film, the median of 3

Approval · how many liked their films

70thpercentile
Typical film, the median of 3

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 3

Midcredits score across 11 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th6

Shape of the crowd

5 of their 11 titles are Mixed.

  • Loved with Detractors2
  • Divisive3
  • Crowd Pleaser1
  • Mixed5

Most divisive · producer

Nothing to Lose 2 (2019)

99th percentile spread · 55% rated it 4 or lower

Most loved · producer

Jezabel (2019)

Midcredits 79th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Antonio Irivan de Souza work with?

People who share at least 2 of Antonio Irivan de Souza's MovieCove titles, grouped by what they did on them; Alexandre Avancini shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers