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Mario Bassino

Cinematographer

Works as
Cinematographer
Titles
3 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 24% in 30 days

What are Mario Bassino's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
43%
Self
17%
Morality
17%
Society
15%
Survival
8%
Family bonds3 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 1 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

A split, not a type: Steady 1 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 0 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 3 · Full focus 0

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 0 · Heavy 3

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 0 · Open-ended 3 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Tense
2
Contemplative
1
Hopeful
2
Bittersweet
1
Other
1

How their films linger

Bittersweet3 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mario Bassino's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Mario Bassino's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 3 with a MovieCove page.

  • Astronaut (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Bantamweight (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • Cosas de amigos (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • Recontraloca (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • Retablo(2017)

    Cinematographer

    Midcredits score: 93rd percentile of all films

  • Friends in a hurry (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Somos Néctar (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • One Last Afternoon (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • Dos Besos (not in the MovieCove catalog yet)(2015)

    Cinematographer

  • The Last News (not in the MovieCove catalog yet)(2015)

    Cinematographer

  • NN(2014)

    Cinematographer

    Midcredits score: 64th percentile of all films

  • The Gospel of the Flesh(2013)

    Cinematographer

    Midcredits score: 79th percentile of all films

  • Chicama (not in the MovieCove catalog yet)(2013)

    Cinematographer

  • Dark Heaven (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • Cu4tro (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • Paraiso (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • Clowns (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • Gods (not in the MovieCove catalog yet)(2008)

    Cinematographer

Career shape

A full career of 18 titles from 2008 to 2025.

Biggest box office

The Gospel of the Flesh (2013)

$231K worldwide

Highest rated

Retablo (2017)

Midcredits 93rd

Most popular right now

NN (2014)

By role

only this rolewith another role
Cinematography18 of 18: 18 only cinematography, 0 with another role

By decade

2000s4 · crew2010s11 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Mario Bassino's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 3

Approval · how many liked their films

81stpercentile
Typical film, the median of 3

Reach · how many have seen their films

51stpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 50th to 74th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2

Most loved · cinematographer

Retablo (2017)

Midcredits 93rd · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mario Bassino work with?

People who share at least 2 of Mario Bassino's MovieCove titles, grouped by what they did on them; Eric Williams shares the most, 3.

Writers

Actors

Editors

Producers