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Gregory Jankilevitsch

Gregory Jankilevitsch

Producer

Gregory Jankilevitsch is a prominent Polish financier, serial entrepreneur, art patron, and international film producer. Combining a sharp business instinct with a deep passion for cultural patronage, he produces story-driven cinema through his production banner, Mid March Media. He is recognized for supporting both highly established filmmakers and emerging international talent on projects that blend strong aesthetic ambition with widespread cultural relevance. Before venturing into the film industry, Jankilevitsch built a formidable career in global commodities and venture capital. He is a co-founder of Mercuria Energy Group, one of the world's largest independent energy and commodity companies and serves as a primary financial investor for OTB Ventures, a leading DeepTech investment fund. A dedicated philanthropist and art collector, he also established the ASOM Collection, which champions European Avant-garde and American Post-War Abstract art with a particular focus on female artists. As of 2026, Jankilevitsch has rapidly expanded his footprint in world cinema through high-profile, star-studded international co-productions. His notable executive producing and producing credits include the Robbie Williams musical biopic Better Man (2024), Romain Gavras’s star-studded thriller Sacrifice (2025), and Mona Fastvold's musical drama The Testament of Ann Lee (2025). He also serves as a producer on Agnieszka Smoczynska's sci-fi thriller Hot Spot (2026), distributed globally by Focus Features.

Read more

Biography from IMDb.

Works as
Producer
Titles
8 on MovieCove · 9 credits in all
TMDB popularity, last 157 days to Oct 28Up 3% in 30 days

What are Gregory Jankilevitsch's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 4

A split, not a type: Grounded 1 · Stylized 1 · Heightened 4

Gentle 0 · Charged 4 · Intense 2

Steady 1 · Shifting 3 · Whiplash 2

Straight-faced 4 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 3 · Full focus 2

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 3

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Contemplative
4
Melancholic
3
Dread
1
Triumphant
1
Other
4

How their films end · 1 with a twist

  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gregory Jankilevitsch's films?

As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Gregory Jankilevitsch's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

  • Paper Tiger(2026)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Karma(2026)

    Producer

    Midcredits score: 82nd percentile of all films
  • Hot Spot(2026)

    Producer

    Midcredits score: 4th percentile of all films
  • Sacrifice(2025)

    Producer

    Midcredits score: 18th percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Orphan(2025)

    Producer

    Midcredits score: 58th percentile of all films
  • Better Man(2024)

    Executive Producer

    Midcredits score: 94th percentile of all films
  • Woman of...(2023)

    Producer

    Midcredits score: 68th percentile of all films
  • Twice Over (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 9 titles, 7 of them dated from 2024 to 2026.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score65th

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gregory Jankilevitsch's films land?

Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 6

Approval · how many liked their films

56thpercentile
Typical film, the median of 6

Reach · how many have seen their films

90thpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • Below 25th2

Shape of the crowd

3 of their 8 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser3
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gregory Jankilevitsch work with?

People who share at least 2 of Gregory Jankilevitsch's MovieCove titles, grouped by what they did on them; Klaudia Smieja shares the most, 6.

Producers

Mixed roles