Adam Harriman

What are Adam Harriman's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Adam Harriman's films?

As of October 28, 2026, none of Adam Harriman's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Adam Harriman's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Recreating the Eighth Wonder: The Making of 'King Kong'(2006)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  King Kong: Peter Jackson's Production Diaries(2005)

  Editor

  Midcredits score: 91st percentile of all films91^st
• 

  Discovering Treasure: The Story of the Treasure of the Sierra Madre(2003)

  Editor

  Midcredits score: 84th percentile of all films84^th

Career shape

Across a limited sample of 3 MovieCove titles from 2003 to 2006.

Highest rated

Recreating the Eighth Wonder: The Making of 'King Kong' (2006)

Midcredits 82^nd

How do Adam Harriman's films land?

Their typical MovieCove film has a Midcredits score in the 84^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 87^th percentile for acclaim.

Shape of the crowd

1 of their 3 titles is Universally Loved.

111

• Universally Loved1
• Crowd Pleaser1
• Mixed1

Most divisive · producer

Recreating the Eighth Wonder: The Making of 'King Kong' (2006)

59^th percentile spread · 13% rated it 4 or lower

Most loved · editor

King Kong: Peter Jackson's Production Diaries (2005)

Midcredits 91^st · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Adam Harriman work with?

People who share at least 2 of Adam Harriman's MovieCove titles, grouped by what they did on them; Michael Pellerin shares the most, 3.